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gmatechnologi · 2 years ago

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Understanding And Leveraging Google Analytics

Are you ready to unlock the secrets of your website’s performance and take your online presence to new heights? Look no further than Google Analytics, the ultimate tool for understanding and leveraging the power of data. In today’s digital landscape, it is essential for businesses and individuals alike to have a firm grasp on their online success metrics. From monitoring visitor behavior to optimizing marketing strategies, Google Analytics provides valuable insights that can revolutionize your web presence. Join us as we dive into this comprehensive guide on understanding and leveraging Google Analytics, empowering you with the knowledge needed to make data-driven decisions that drive real results. Get ready to discover how this powerful tool can transform your online journey from good to great!

Introduction To Google Analytics

Google Analytics is a powerful tool that provides valuable insights into the performance of your website. It is a free web analytics service offered by Google that allows you to track and analyze various aspects of your website, such as traffic, user behavior, conversions, and much more. In this section, we will provide an introduction to Google Analytics and explain why it is essential for businesses and website owners.

What is Google Analytics?

Google Analytics is a tracking tool that uses a small piece of code inserted into your website’s HTML to gather data about your website visitors’ behaviors. This data includes information such as how many people visit your site, where they come from, what pages they view, how long they stay on each page, and more. This information is then presented in easy-to-understand reports and dashboards within the Google Analytics platform.

Why use Google Analytics?

1. Understand Your Audience: One of the most significant benefits of using Google Analytics is gaining a deeper understanding of your audience. You can learn about their demographics (age, gender, location), interests (hobbies, preferences), behavior (frequency of visits, time spent on site), and more.

2. Measure Website Performance: With Google Analytics, you can track the performance of your website through metrics such as sessions (visits), bounce rate (percentage of visitors who leave after viewing only one page), average session duration, etc. These metrics help you understand which pages are performing well and which ones need improvement.

Benefits Of Using Google Analytics

Google Analytics is a powerful tool that provides valuable insights into the performance of your website and online presence. By utilizing this free platform, you can gain a deeper understanding of your audience, their behavior on your site, and how to effectively optimize your strategies for better results. In this section, we will dive into the top benefits of using Google Analytics and how it can help you make data-driven decisions for your business.

1. Track Website Traffic and User Behavior: One of the main benefits of using Google Analytics is its ability to track website traffic in real-time. It not only tells you how many people are visiting your site but also provides detailed information about their behavior such as the pages they visit, time spent on each page, bounce rate, and more. This data is crucial in understanding which pages are performing well and which ones need improvement.

2. Identify Your Audience: With Google Analytics, you can get a clear picture of who your audience is by analyzing their demographics such as age, gender, location, interests, etc. This information helps you tailor your content and marketing efforts to target specific segments of your audience more effectively.

3. Measure Campaign Performance: The platform allows you to track the success of various marketing campaigns by providing data on traffic sources such as organic search, social media referrals, email marketing clicks, etc. This enables you to identify which channels are bringing in the most traffic or conversions so that you can allocate resources accordingly.

Setting Up Your Google Analytics Account

Google Analytics is a powerful tool that can provide valuable insights into the performance of your website and online presence. In order to take advantage of all its features, you first need to set up your Google Analytics account. This section will guide you through the process of creating an account and setting it up correctly.

Step 1: Create a Google account To use Google Analytics, you need to have a Google account. If you already have one, then you can skip this step. If not, simply go to the Google sign-up page and follow the steps to create an account.

Step 2: Sign in to Google Analytics Once you have a Google account, go to the Google Analytics homepage (analytics.google.com) and click on “Sign in” in the top right corner. Use your existing login credentials or sign in with your newly created account.

Step 3: Set up a new property Before you can start tracking data for your website, you need to add it as a property in your Google Analytics account. Click on “Admin” at the bottom left corner of the screen and then click on “Create Property”. You will be prompted to enter basic information about your website such as its name, URL, industry category, and reporting time zone.

Step 4: Get tracking code After creating a property for your website, you will be given a unique tracking code that needs to be added to every page of your website where you want data tracked.

– Creating An Account

Creating an account is the first step in gaining access to Google Analytics and unlocking its powerful features. In this section, we will guide you through the process of creating an account and provide tips for optimizing your account setup.

1. Go to the Google Analytics website: The first step is to navigate to the Google Analytics website (https://analytics.google.com) and click on “Start for free” or “Sign in” if you already have a Google account.

2. Sign in with your Google Account: If you have a Gmail or any other type of Google account, use that email address and password to sign in. If not, click on “Create account” at the bottom of the page and follow the prompts to create a new Google account.

3. Set up your property: Once you are signed in, you will be prompted to set up your property – which is essentially your website or app that you want to track with Google Analytics. Click on “Set up for free” under “Google Analytics”.

4. Choose between Web or App tracking: Depending on whether you want to track a website or mobile app, select either “Web” or “App” as your tracking source.

5. Enter Property Details: Provide a name for your property (e.g., Your Company Name), choose whether it’s a Website or Mobile app, enter the URL of your website/app, select an industry category that best describes your business, and choose the appropriate reporting time zone.

– Installing The Tracking Code On Your Website

Installing the tracking code on your website is a crucial step in setting up Google Analytics. This code allows Google to gather data from your website and provide you with valuable insights into your website’s performance. In this section, we will discuss the steps to install the tracking code on your website.

Step 1: Sign up for Google Analytics The first step in installing the tracking code is to sign up for a Google Analytics account. If you already have a Gmail or Google account, you can use that to sign up. Otherwise, you will need to create a new account by providing basic information such as your email address, password, and website URL.

Step 2: Set up a property Once you have signed up for an account, you need to set up a property for your website. A property represents each of your websites or apps in Google Analytics. To set up a property, click on the “Admin” tab at the bottom left corner of your dashboard and select “Create Property” under the “Property” column.

Step 3: Choose between Universal or Classic Analytics Google offers two types of tracking codes – Universal Analytics and Classic Analytics. While Universal Analytics is now the default option, if you had previously set up Classic Analytics for your site, you can continue using it until further notice. However, we recommend using Universal Analytics as it provides more advanced features and capabilities.

Step 4: Get the tracking code After selecting which type of analytics you want to use, click on ” Get Tracking ID” to generate the tracking code. This code will be unique to your website and needs to be installed on every page of your site that you want to track.

Step 5: Add the tracking code to your website To add the tracking code to your website, you will need access to the HTML source code of each page. The exact steps for adding the code will vary depending on the platform or CMS (Content Management System) you are using for your website. However, most platforms have a designated area for adding tracking codes.

For example, if you are using WordPress, you can install a Google Analytics plugin like MonsterInsights which will automatically add the tracking code to your site. If you are not familiar with editing HTML code, it is recommended to seek assistance from a web developer or use a plugin for easier installation.

Navigating The Google Analytics Dashboard

Navigating the Google Analytics Dashboard can seem overwhelming at first, but once you understand its layout and features, it becomes a powerful tool for tracking and analyzing your website’s performance.

The dashboard is divided into three main sections: the header, the sidebar, and the main content area. Let’s take a closer look at each section and how to use them effectively.

1. The Header: The header is located at the top of the dashboard and contains important tabs and menus that allow you to access different areas of Google Analytics. These include:

Home: This is where you will find an overview of your website’s performance, including real-time data, audience demographics, traffic sources, and more.

Reporting: This tab allows you to access all of the reporting features in Google Analytics such as Audience, Acquisition, Behavior, Conversions.

Customization: This tab allows you to create custom reports or dashboards based on specific metrics that are important to your business.

Admin: This section gives you access to account settings, user management, property settings for your website or app tracking code installation.

Help: If you need any assistance while using Google Analytics, this tab provides helpful resources such as FAQs or contacting support.

– Overview Of Features And Tools

Google Analytics is a powerful web analytics tool that provides insightful data to help businesses and website owners understand their audience and improve their online presence. With its numerous features and tools, it can be overwhelming for beginners to navigate through the platform. In this section, we will provide an overview of the key features and tools of Google Analytics.

1. Real-Time Tracking:

One of the most popular features of Google Analytics is its real-time tracking capability. This allows users to monitor their website traffic in real-time, providing up-to-the-minute information on active users, page views, and conversions. It helps businesses analyze the immediate impact of marketing campaigns or content updates.

2. Audience Reports:

The Audience reports in Google Analytics provide valuable insights about your website visitors. It includes demographics such as age, gender, location, interests, and behavior flow – showing how users navigate through your site. This data is crucial for understanding your target audience and tailoring your marketing strategies accordingly.

3. Acquisition Reports:

Acquisition reports show where your website traffic is coming from – whether it’s through organic search results, paid advertising, social media platforms or referral links from other websites. It also highlights which channels are driving the most traffic and conversions for your website. This information can help you focus on the most effective marketing channels to drive more targeted traffic.

– Understanding Key Metrics And Reports

Knowing how to interpret and utilize key metrics and reports in Google Analytics is crucial for any business or website owner. These metrics provide valuable insights into the performance of your website, allowing you to make data-driven decisions that can improve user experience, increase conversions, and drive overall growth.

In this section, we will delve deeper into some of the most important metrics and reports in Google Analytics, what they mean, and how you can use them to optimize your website’s performance.

1. Traffic Acquisition Metrics: These metrics show where your website traffic is coming from and how users are finding your site. The three main sources of traffic are: – Organic search: This refers to visitors who found your site through a search engine result page. – Direct: This represents visitors who typed your website URL directly into their browser or clicked on a bookmark. – Referral: This includes visitors who clicked on a link from another website to reach yours.

Understanding these metrics can help you identify which channels are driving the most traffic to your site. You can then focus on optimizing those channels for better results.

2. Audience Metrics: Audience metrics provide information about the characteristics of your website visitors. This includes demographics such as age, gender, location, interests, etc. Understanding these metrics can help you tailor your content and marketing efforts to better target your audience’s preferences.

Utilizing Advanced Features:

Google Analytics is a powerful tool that offers a wide range of advanced features to help you gain deeper insights into your website’s performance and user behavior. These features allow you to track, analyze and optimize your online presence in a more comprehensive and effective manner. In this section, we will discuss some of the key advanced features offered by Google Analytics and how you can use them to enhance your digital strategy.

1. Custom Reports: Custom reports are one of the most valuable advanced features offered by Google Analytics. They allow you to create customized reports that cater specifically to your business needs and objectives. With custom reports, you can choose which metrics and dimensions to include, how they are displayed, and even add filters for a more targeted analysis. This feature is particularly useful if you have unique KPIs or specific data points that are important for your business.

2. Custom Dashboards: Similar to custom reports, custom dashboards also offer flexibility in terms of data visualization and reporting. You can create multiple dashboards with different sets of widgets displaying various metrics such as traffic sources, user demographics, conversion rates, etc. This allows you to have a quick overview of the key performance indicators that matter most to your business on a single screen.

– Customizing Reports And Dashboards

Customizing reports and dashboards is an important aspect of harnessing the full potential of Google Analytics. It allows you to tailor your reports and dashboards according to your specific business needs, providing valuable insights into your website’s performance.

The process of customizing reports and dashboards typically involves selecting the metrics and dimensions that are most relevant to your business, as well as applying filters or segments to analyze specific subsets of data. This enables you to focus on the key aspects of your website’s performance and track progress towards achieving your goals.

Let’s dive deeper into how you can customize reports and dashboards in Google Analytics:

1. Custom Reports: Google Analytics offers a wide range of pre-built reports that cover various aspects like user behavior, acquisition, conversions, etc. However, these may not always provide the exact information you need for your business. That’s where custom reports come in handy.

You can create custom reports by selecting specific metrics, dimensions, segments and filters that align with your business objectives. This gives you complete control over what data is included in the report and how it is presented. You can also save these customized reports for future use or share them with team members.

2. Dashboard Customization: Dashboards in Google Analytics provide a quick overview of important metrics at a glance. They are highly customizable to suit individual preferences and requirements. You can add widgets that display different types of data such as tables, charts or graphs on a single dashboard.

– Setting Up Goals And Funnels For Tracking Conversions

Setting up goals and funnels for tracking conversions is a crucial step in leveraging the full potential of Google Analytics. Goals and funnels allow you to track meaningful actions on your website, such as purchases, form submissions, or downloads, and understand how users are navigating through your site to complete those actions. By setting up goals and funnels, you can gain valuable insights into the effectiveness of your website in converting visitors into customers.

Here are the steps to follow for setting up goals and funnels in Google Analytics:

1. Define Your Conversion Goals: The first step is to identify what action you want users to take on your website that would be considered a conversion. This could be making a purchase, filling out a contact form, signing up for a newsletter, etc. It is important to have clear and specific goals in mind as they will determine the success of your tracking efforts.

2. Create Your Goal in Google Analytics: Once you have defined your conversion goal, it’s time to set it up in Google Analytics. To do this, go to “Admin” > “View” > “Goals” > “+New Goal.” Choose from one of the predefined templates or create a custom goal based on the type of conversion you want to track.

– Using Filters And Segments To Analyze Data

Google Analytics is a powerful tool that provides valuable insights into the performance of your website. With its extensive range of features, it allows you to track and analyze various metrics such as traffic sources, user behavior, conversions, and more. One of the most useful features of Google Analytics is the ability to use filters and segments to analyze data.

Filters allow you to modify the data in your reports by excluding or including specific information based on certain criteria. This can be particularly helpful when you want to focus on a particular subset of data or remove irrelevant or spam traffic from your reports.

To set up filters in Google Analytics, go to the Admin section and select “Filters” under the View column. From here, you can create different types of filters based on your specific needs.

One type of filter is called a predefined filter which allows you to exclude or include specific IP addresses from your reports. This is useful if you want to exclude internal traffic from your employees or yourself while analyzing website performance.

Another type is custom filter which allows for more advanced filtering options such as excluding traffic from certain countries, cities, or even specific pages on your website. You can also use regular expressions (regex) in custom filters for more complex filtering requirements.

Segments are another important feature in Google Analytics that allow you to isolate and analyze subsets of data based on defined conditions. Unlike filters which permanently change the data in your reports, segments simply provide a temporary view of data within a report.

Conclusion

In today’s digital age, having a strong online presence is crucial for the success of any business. Google Analytics offers valuable insights and data to help businesses understand their online performance and make informed decisions. By following these tips and utilizing all the features that Google Analytics has to offer, you can gain a better understanding of your website traffic, audience demographics, and behavior. This will ultimately lead to improved marketing strategies, increased conversions, and overall business growth. So don’t underestimate the power of Google Analytics – start leveraging it today!

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communistkenobi · 1 year ago

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Would you be willing to dunk on speak more on mainstream feminist theory you're reading? And/or share some of the non-juvenile feminist theory you've read?

(Note: I will try to link to open access versions of articles as much as possible, but some of them are paywalled. if the links dont work just type the titles into google and add pdf at the end, i found them all that way)

If there’s any one singular issue with mainstream feminist thought that can be generalized to "The Problem With Mainstream Feminism" (and by mainstream I mean white, cishet, bourgeois feminism, the “canonical feminism” that is taught in western universities) it’s that gender is treated as something that can stand by itself, by which I mean, “gender” is a complete unit of analysis from which to understand social inequality. You can “add” race, class, ability, national origin, religion, sexuality, and so on to your analysis (each likewise treated as full, discrete categories of the social world), but that gender itself provides a comprehensive (or at the very least “good enough”) view of a given social problem. (RW Connell, who wrote the canonical text Masculinities (1995) and is one of the feminist scholars who coined/popularized the term hegemonic masculinity, is a fantastic example of this.)

Black feminists have for many decades pointed out how fucking ridiculous this is, especially vis a vis race and class, because Black women do not experience misogyny and racism as two discrete forms of oppression in their lives, they are inextricably linked. The separation of gender and race is not merely an analytical error on the part of white feminists - it is a continuation of the long white supremacist tradition of bounding gender in exclusively white terms. Patricia Hill Collins in Black Feminist Thought (2000) engages with this via a speech by Sojourner Truth, the most famous line from her speech being “ain’t I a woman?” as she describes all the aspects of womanhood she experiences but is still denied the position of woman by white women because she is Black. Lugones in Coloniality of Gender (2008) likewise brings up the example of segregationist movements in the USAmerican South, where towns would put up banners saying things like “Protect Southern Women” as a rationale for segregation, making it very clear who they viewed as women. Sylvia Wynter in 1492: A New World View likewise points out that colonized women and men were treated like cattle by Spanish colonizers in South America, often counted in population measures as "heads of Indian men and women," as in heads of cattle. They were treated as colonial resources, not as gendered subjects capable of rational thought.

To treat the category of “woman” as something that stands by itself is a white supremacist understanding of gender, because “woman” always just means white woman - the fact that white is left implied is part of white supremacy, because who is granted subjecthood, the ability to be seen as human and therefore a gendered subject, is a function of race (see Quijano, 2000). Crenshaw (1991) operationalizes this through the term intersectionality, pointing out that law treats gender and race as separate social sites of discrimination, and the practical effect of this is that Black women have limited/no legal recourse when they face discrimination because they experience it as misogynoir, as the multiplicative effect of their position as Black women, not as sexism on the one hand and racism on the other.

Transfeminist theory has further problematized the category of gender by pointing out that "woman" always just means cis woman (and more often than not also means heterosexual woman). The most famous of these critiques comes from Judith Butler - I’m less familiar with their work, but there is a great example in the beginning of Bodies That Matter (1993) where they demonstrate that personhood itself is a gendered social position. They ask (and I’m paraphrasing) “when does a fetus stop becoming an ‘it’? When its gender is declared by a doctor or nurse via ultrasound.” Sex assignment is not merely a social practice of patriarchal division, it is the medium through which the human subject is created (and recall that gender is fundamentally racialized & race is fundamentally gendered, which I will come back to).

And the work of transfeminists demonstrate this by showing transgender people are treated as non-human, non-citizens. Heath Fogg Davis in Sex-Classification Policies as Transgender Discrimination (2014) recounts the story of an African American transgender woman in Pennsylvania being denied use of public transit, because her bus pass had an F gender marker on it (as all buss passes in the state required gender markers until 2013) and the bus driver refused her service because she “didn’t look like a woman.” She was denied access to transit again when she got her marker changed to M, as she “didn’t look like a man.” Transgender people are thus denied access to basic public services by being constructed as “administratively impossible” - gender markers are a component of citizenship because they appear on all citizenship documents, as well as a variety of civil and public documents (such as a bus pass). Gender markers, even when changed by trans people (an arduous, difficult process in most places on earth, if not outright impossible), are seen as fraudulent & used as a basis to deny us citizenship rights. Toby Beauchamp in Going Stealth: Transgender Politics & US Surveillance Practices (2019) talks about anti-trans bathroom bills as a form of citizenship denial to trans people - anti-trans bathroom laws are impossible to actually enforce because nobody is doing genital inspections of everyone who enters bathrooms (and genitals are not proof of transgenderism!), but that’s actually not the point. The point of these bills is to embolden members of the cissexual public to deputize themselves on behalf of the state to police access to public space, directing their cissexual gaze towards anyone who “looks transgender.” Beauchamp points out that transvestigators don’t need to be accurate most of the time, because again, the point is terrorizing transgender people out of public life. He connects this with racial segregation, and argues that we shouldn’t view gender segregation as “a new form of” racial segregation (this is a duplication of white supremacist feminism) but a continuation of it, because public access is a citizenship right and citizenship is fundamentally racially mediated (see Glenn's (2002) Unequal Freedom)

Susan Stryker & Nikki Sullivan further drives this home in The King’s Member, The Queen’s Body, where they explain the history of the crime of mayhem. Originating in feudal Europe (I don’t remember off the dome the exact time/place so forgive the generalization lol), mayhem is the crime of self-mutilation for the purposes of avoiding military conscription, but what is interesting is that its not actually legally treated as “self” mutilation, but a mutilation of the state and its capacity to exercise its own power. They link the concept of mayhem to the contemporary hysteria around transgender people receiving bottom surgery - we are not in fact self mutilating, we are mutilating the state’s ability to reproduce its own population by permanently destroying (in the eyes of the cissexual public) our capacity to form the foundational social unit of the nuclear family. Our bodies are not our own, they are a component of the state. Situating this in the context of reproductive rights makes this even clearer. Abortion access is not actually about the individual, it is the state mediating its own reproductive capacity via the restriction of abortion (premised on the cissexual logic of binary reproductive capacity systematized through sex assignment). Returning to Hill Collins, she points out that in the US, white cis women are restricted access to abortion while Black and Indigenous cis women are routinely forcibly sterilized, their children aborted, and pumped with birth control by the state. This is not a contradiction or point of “hypocrisy” on the part of conservatives, this is a fully comprehensive plan of white supremacist population management.

To treat "gender" as its own category, as much of mainstream feminism does (see Acker (1990) and England (2010) for two hilarious examples of this, both widely cited feminists), is to forward a white supremacist notion of gender. That white supremacy is fundamentally cissexual and heterosexual is not an accident - it is a central organizing logic that allows for the systematization of the fear of declining white birthrates (the conspiracy of "white genocide" is illegible without the base belief that there are two kinds of bodies, one that gets pregnant and one that does the impregnating, and that these two types of bodies are universal sources of evidence of the superiority of men over women - and im using those terms in the most loaded possible sense).

I realize that most of these readings are US centric, which is an unfortunate limitation of my own education. I have been really trying to branch into literature outside the Global North, but doctoral degree constraints + time constraints + my own research requires continual engagement with it. I also realize that most of the transfeminist readings I've cited are by white scholars! This is a continual systemic problem in academic literature and I'm not exempt from it, even as I sit here and lay out the problem. Which is to say, this is nowhere near the final word on this subject, and having to devote so much time to reading mainstream feminist theory as someone who is in western academia is part of my own limited education + perspective on this topic

#asks #even old new york was once new amsterdam #book club #reading list

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scuderiahalf · 1 year ago

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always you — mick schumacher

pairing. mick schumacher x verstappen!merc racing engineer!fem!reader

summary. mick had always been inexplicably tied to you, no matter what distance grew between you. even if it took over two decades for you to figure it out, it had always been mick. it would always be mick. 5.4k, 18+

playlist. "invisble string" by taylor swift, "the perfect pair" by beabadoobee, "moves" by suki waterhouse, "i wanna be yours" by arctic monkeys, "let the light in feat. father john misty" by lana del ray

warnings. pining, mick is kind of very much pitiful in this alright, smut, l-bombs, sort of sub!mick, google translated german, almost choking, oral (fem and male receiving), penetrative sex

masterlist.

. . .

"I'm telling you what the data says, and it says you're wrong, so follow the damn line, George."

Mick fought a smile as you told George off over the radio. Toto cast you a look that you didn't even seem to see, let alone acknowledge. The team principal didn't look all that surprised when you didn't take your eyes off the screens of data you were getting input from.

In the next lap, George's lap time dropped nearly a second thanks to your suggestion. George didn't offer an apology for doubting you and you didn't expect one; you only expected him to be consistent in how he attacked turns seven and eight, to continue following your instructions.

Mick had observed your and George's relationship over the last few seasons you had been working with him. As George's racing engineer, you had quite a close working relationship with the Brit.

Off track, you were good if unlikely friends. Where George was all pretense and propriety and politeness, you were nothing but brutally honest, succinct, and to the point. But you were close in age and often seen together chatting and laughing.

On track, you were pretty much the same, if not even more blunt, if that was possible. George fed off your no-nonsense attitude, communicating clearly and without any of the fluff normally gracing his conversational skills.

Mick admired how well you worked with George. He admired just about everything you did. You could sit there doing absolutely nothing and F1TV would catch Mick staring at you like a lovesick fool again.

He still doesn't know how he hadn't seen the cameraman filming him as he watched you from across the garage two weekends ago. People kept referring to him as "Heart Eyes" Schumacher and he really could not blame them after seeing the clip of himself watching you.

You hadn't said anything to him about it. In fact, you hadn't said anything to him all season. Or during pre-season. Or in the two years prior when he was driving for Haas. Or in the thirteen years it had been since your dads had their falling out.

Mick would have liked to talk to you. He would have liked to talk about nothing or everything like you used to. He would have listened to you ramble about statistics and analytics and anything you wanted, even if he didn't understand a word of it.

But you had looked at him maybe three times since he signed on as Mercedes reserve driver. You either didn't remember or—more likely, knowing your keen mind—you didn't care about your shared history.

Even if it was in your childhood and so much had changed since then, Mick still remembered. He remembered playdates and shared family vacations and spending every second together that you could before your dad dragged you away.

He remembered noticing how different your dad treated you than his dad treated him. He remembered sleeping over once and hearing your dad screaming at you until you ran to your bedroom in tears. He remembered telling his dad about it all.

He remembered how he was the one to ruin everything.

You didn't seem to remember any of it—or, at least, you never seemed to reminisce on it. Never got caught up staring at him wondering how things could have been different. Never got distracted by unexplainable yet unavoidable and likely unrequited feelings for someone that was once your friend over a decade ago.

When he was with Haas, your lack of interaction could be excused; you were on different teams. Since he had signed with Mercedes, it felt like you had purposefully been ignoring him for months.

He could approach you. He could simply walk up to you at any point when you weren't fully absorbed by readout screens and analytic diagnoses and strike up a conversation.

He didn't want to push his luck. He didn’t fully understand why you wouldn’t talk to him but he also didn't want to make you uncomfortable.

If being near you meant never truly being close to you again, Mick could live with that. Ultimately, you owed him nothing, so he could watch from afar and adore you silently. He could be content with that.

After all, it was his fault that everything fell apart in the first place.

"Hey, heart eyes! Come here!"

Mick hesitated before making his way to where Lewis was in the VIP section of this Friday night's club of choice.

"Hi?"

"I can't help but notice that you're pathetically in love with your race engineer."

"She's George's engineer—"

"That’s beside the point. Anyway, I think your girl could use some saving."

"She's not my girl."

Lewis hadn't said your name. Mick didn't need him to.

Mick leaned on the balcony railing beside Lewis, looking down over the crowd on the main floor of the club. He found you embarrassingly fast. You were wearing a black shirt, pink shorts, and sandals.

He had seen you come in earlier with your brother and thought you were probably the prettiest girl there that night. If you were put in a room with the world's top models, Mick would still think the same.

On the floor below, your personal space was being invaded by a dark-haired man in glasses. You looked incredibly uncomfortable, glancing around for anyone you knew who you could latch onto and get away from the man who was talking at you incessantly.

It wasn’t even a conscious decision on Mick’s part. One second, he was watching you from the VIP balcony and the next, he was pushing his way through the dance floor to get to you.

The unnamed glasses man put a hand on your back, touching the sliver of exposed skin between your shirt and shorts. You visibly tensed up.

Before he could think better of it, Mick called your name and pretended to stumble into you and the man.

“Hey! I’ve been looking for you.” He played up being drunk as he stuck himself between you and Glasses. “Hey, mate, how’s it going? Who are you?”

“I’m Nolan. And we were having a conversation.”

Mick had to hand it to ‘Nolan,’ he was persistent. “My bad, I guess. Y/N, your brother’s looking for you. Come on.”

He walked off and you followed after him. He hadn’t really thought this far ahead. He hadn’t been thinking at all. He was running by the seat of his pants and hoping he didn’t end up making things worse.

Last time he had thought he was helping you, he didn't speak to you for thirteen years.

“My brother left an hour ago.”

“I know.”

Mick kept walking towards the stairs up to VIP.

You kept following.

Maybe this time, things would be different.

When Mick was 11, he mentioned to his mom that your dad yelled at you and made you cry. That same day, his dad sat him down and asked him to tell him everything he knew about how Jos Verstappen treated his children.

He had told him everything he knew because he didn’t know why he shouldn’t. If his dad wanted to know, it had to be important. Maybe he would be helping you by telling his dad.

A week later, Mick was playing with you in the backyard when your dad started yelling. Except that time, he wasn’t yelling at you or his most frequent target of your older brother Max, he was yelling at Mick’s dad.

That day had ended with your father dragging you away from Mick. Mick remembers thinking he had grabbed you so roughly; didn’t it hurt to be seized by your arm and jerked around like that?

Jos didn’t care. He just yelled at Mick’s dad to stay away if he had such an issue with how he raised his children. So, the Schumachers stayed away. The last memory Mick had of you was with tears streaming down your face, begging your dad not to make Mick leave.

A little less than ten years later, Mick was a Formula One reserve driver. That same year, you had graduated early from university and earned a spot as a Williams performance engineer. Then, you went to Mercedes in 2021 and took over as George’s racing engineer at only twenty two years of age while Mick was racing with Haas.

"I thought you hated me."

You looked up at him, mouth full. "What? Why would I hate you?"

"For telling my dad about everything. For tearing us apart."

You swallowed your mouthful of sandwich, sat across from him in Mercedes hospitality on your lunch break.

After that night in the club, you and Mick rekindled your old friendship. You looked at him, now. You smiled at him and talked to him and sought him out just to sit and talk during your break.

Getting a second chance to be your friend was more than Mick ever thought he would have.

"Mick, that wasn't your fault. My dad... it's complicated. But our dads' falling out wasn't your fault. I never blamed you for it. You know that, right?"

No, he had not known that. He had spent the last thirteen years blaming himself for losing you. He had assumed you would blame him, too, for ending your friendship because he had spent so long as a self proclaimed scapegoat.

"Mick."

"I know that now."

"Mick!"

"I— Okay, I know it's stupid but I have always blamed myself for the whole situation. Then, when we both were getting into F1, you never reached out."

"You never reached out, either!"

"I know that but I figured you wanted nothing to do with me, so I never tried to talk to you."

"You're so daft sometimes, Schumacher."

Mick took your empty insult without argument.

After spending every free second he had with you over the last several weeks, he realized how dumb he had been. He never thought of himself as the melodramatic type but he had really been going through it when he thought you were avoiding him.

"I've never been the smartest when it comes to you."

You just scoffed at him and ate more of your sandwich.

The next day, it was a double podium for Mercedes with Lewis in P2 and George in third. With your brother on the top step of the podium, you were elated, grin broad and voice loud over the radio as you congratulated George for a race well done.

Then, you looked around the garage. Mick didn't know why until your eyes found him along the back wall. You were looking for him. You smiled (at him) and he was smiling back before he even had to think about it.

Being with you had always been easy. As kids, you never argued. You shared toys and always managed to find some weird, convoluted way to mash what you both wanted to do together.

Now that you had gotten over whatever misunderstandings that kept you apart for the last few years, it was easy again. There was never anything you two couldn't talk about. There was never awkward silence. There was never any want to not be near each other.

Mick spent all night celebrating Mercedes' 2-3 finish with you. It was easy to spend hours by your side, to stand too close, to look at you for too long. Once he had a few drinks, it was all too easy to speak his mind around you, lips loose and heart full.

"I missed you."

"I missed you, too, Micky."

"I mean I really missed you. All the time. I would think about you sometimes and miss what we used to have."

Your eyes were soft and focused only on him. He was barely tipsy from the alcohol but he was definitely drunk on you.

"Then, we were both in F1. But it was the pandemic and I was still worried you didn't want to see me. Then, when I was with Haas, I was so scared to approach you."

"Did I do something to make you think I hated you?"

"No, I was just in my head. And those months preparing for the season with Mercedes were the worst. You were so close but I was still too scared to talk to you."

"I wanted to talk to you, too," you admitted. "I thought about doing it sometimes but... I don't know. We hadn't spoken in so long and I was always so busy. I guess I was scared, too."

"I wish we had spoken sooner. We could have had this so much sooner."

"Had what sooner?"

"I don't know." That was a lie. "This. Us."

In all honesty, Mick didn't know what you two were. To anyone who asked, he would say old friends. But you were much more than that.

When he was ten, Mick kissed you for the first time. He had been in love with you since before he even understood what it meant. There was more heartbreak in the severing of your friendship than your families knew, more than either of you had known at that point.

And now, you were together again. Friends again. Except, friends don't sit knee to knee for hours at a time, wholly absorbed in nothing but each other in a raucous club with post-race celebrations going on all around them.

Friends don't let friends ghost their fingertips over the exposed skin of their shoulders, rest their hands on each other's thighs, play with the ends of their hair or the hem of their clothes.

"I missed us." Mick wondered if you knew what he meant by that.

You smiled (at him, again). "Me, too."

You were so close to him. Any sort of respectable distance was out the window. Your thighs were pressed together. You were sat sideways, head resting in your hand as you leaned an arm on the back of the couch.

He could sit up a little straighter and that was all it would take to reach your lips. He was seriously debating doing it.

Then, your brother smacked the back of your head as he was walking past, said something to you in Dutch that had you cursing at him in the same language.

"Hey, Mick," Max tossed at him with an uncomfortably knowing grin.

"Hey, Max."

Suddenly faced with the older brother of the woman he was just been fantasizing about kissing in the middle of a public space, Mick felt his face grow hot. He couldn't quite make eye contact with the eldest Verstappen child.

"Go away, Max," you told your brother with a glare.

Kelly took pity on you, dragging her boyfriend away.

"What did he say?" Mick asked you.

"'Get a room.'"

Mick laughed nervously, shifted away from you slightly. "Sorry, I—"

"Do you want to get out of here?"

Being with you had always been easy. It was maybe the easiest thing Mick had ever done to nod his head yes and let you drag him out of that club.

You sat too close in the cab ride back to the hotel. He stood too close in the elevator up to his hotel room. You held his arm as he fumbled with the keycard to get the door open.

You pushed at his chest to get him to sit on the edge of the bed. He went down willingly, kept his eyes on you the entire time. You stood between his legs, pushed his hair back, let him lean into your touch.

"Is this okay?" you asked.

Were you seriously asking that? He had turned into putty in your hands from just a few touches. You hadn't even kissed him yet.

"Mick," you insisted at his silence.

"Yes. It's okay. It is so okay. Don't stop. Please."

He couldn't find it in himself to be embarrassed by just how easily you had reduced him to begging.

Above him, you smiled before leaning down to press your lips to his. His neck was craned back; you had a hand on the back of his head and one on his shoulder to keep him in place. He let you dictate the pace, let you kiss him however you wanted.

It was slow at first, just your lips on his. You set the tempo low, moved your mouth at a torturous pace. You sucked his bottom lips between both of yours. When your tongue finally poked out, he let his jaw slacken, let you lick into his mouth without a need to fight against it.

You slid your tongue against his. The exchange of saliva was erotic and messy and left Mick panting against you. He gripped the backs of your thighs, adjusted his hips, tangled his fingers in the hem of your dress.

Mick slipped into German as he got lost in want. "Liebe, bitte. Bitte, ich brauche dich." [Baby, please. Please, I need you.]

And you—brilliant, keen, genius you—knew what he was saying. When did you learn German? Did you remember enough of it from all the time you had spent with his family as a child? He had no clue.

"Sei geduldig. We will get there." [Be patient.]

"I have been patient for years. Please, Y/N."

You kissed him again to shut him up, faster, harder, sloppier this time. Your hand slid over the column of his throat, just resting there as nothing but a reminder. He keened into your mouth, the vibration getting caught by your hand.

"I love you," he gasped, out of breath.

You drew back.

Mick's heart stopped.

"You love me?"

He swallowed, Adam's apple bobbing against your hand. "Yes. I have since we were kids. I don't— I don't want this if this is all it will be. I want everything with you. I want you to love me, too."

Somehow, it was still easy for him to lay all his cards on the table, to let you see everything and wait for your verdict. He was terrified, yes, but he trusted you implicitly.

He loved you and only you—he had only ever loved you this desperately and wholly, thirteen years apart be damned.

"I'm in love with you," he said.

You seemed breathless and speechless all at once.

He knows he said too much. It was definitely overwhelming to have all of that said to you with no warning but once he started, he couldn't stop. He had kept it all to himself for so long, watching from afar, never able to get close to you.

Now, here you were. He only hoped he had not read into things that were not there. He looked up at you, ice blue eyes wide and hopeful, patiently awaiting your response.

"I love you, too," you said on an exhale. "I'm in love with you, too. I thought I was crazy for it but I think I've always loved you."

Mick was not entirely convinced that this all wasn't some sick wet dream he would wake up from in the morning. He didn't care. He couldn't care, not when you slid your hand up to his jaw, held his face so gently, looked at him like he hung the stars in the sky.

"It's always been you, Mick."

He couldn't stop himself anymore. He pulled you close, guided your legs to either side of his hips, held your head and kissed you.

Dominance was shared this time as you kissed each other. You sighed into his mouth, a contented and wanting sound. You rested your arms on his shoulders as your tongues danced. His hands pushed up higher under the skirt of your dress, squeezing the soft skin of your upper thighs.

"Okay?" was the simple question he asked before taking things any further.

"Please."

Supporting your weight, Mick lifted you out of his lap and laid you out on your back. Hovering over you, he slid a hand up your dress to your hip. He caught the waistband of your underwear, glanced up at you to make sure.

You nodded.

He got both hands under your dress to pull your underwear off. He pushed your legs apart and you let them fall open, exposing yourself to him and he nearly moaned at the sight alone.

You were laid open and not quite bare with your dress still on but your pretty pink folds were in clear view. He had never expected to have you in any way, let alone spread open and ready to be ravished, but to say he hadn't imagine it two hundred times over would be a lie.

He moved down your body to kiss your left thigh, first closer to your knee then moving up so the soft, supple skin of your inner thigh. He let his breath fan over your pussy, felt the way you twitched at the sensation. Then, he kissed back down your right leg, trailing kisses down to your knee.

"Mick," you urged.

He bit back the repetition of your words about patience from earlier, instead deciding to be nice and lift your knees up over his shoulders, slide his arms under your legs to warp around and hold them in place, then settle in between your thighs like he had nowhere to be for quite some time.

Your folds were glistening in anticipation by the time his lips met them. He kissed over your aching core one, two, three painfully slow times before finally letting his tongue slot against your clit. His lips moved in tandem with his tongue, sucking and licking at the little bundle of nerves until you threw your head back and choked out a throaty moan.

"Mick—please."

That was all the encouragement he needed.

Mick dropped his head to slide his tongue down between your folds, to press at your entrance over and over, lapping at your pussy in a way that could not care about saliva and slick dripping off his chin.

His nose nudged at your clit. Every breath in was nothing but the scent of you ingraining itself in his brain in a way he will never forget. He would never want to forget a single thing about you in that moment.

Not your scent or the taste of your cunt on his tongue. Not the feeling of your fingers tangling in his hair, not pushing or guiding just holding onto him like you just wanted to have your hands on him in any way you could. Not the way you breathed his name halfway between a moan and a cry, or how you arched your back as you were overwhelmed with bliss.

You were coming apart on his tongue and lips and nothing else. If he could save the taste of you and get high on it every night he would. If he could bottle the feeling of you trying not to squirm under the pleasure that he was bringing you, he would drink himself dumb a thousand times over.

"Mick—!"

He hummed in perfect contentment as you cried his name in warning. Your muscles tensed, legs tried to close around his head as he worked you closer and closer to the edge. He just dug in more, ate you out more fervently, slipped his tongue inside of you until you were gasping from the feeling of it.

When he made you come the first time, it was with a cry of his name and panting moans as you bucked your hips up against his face. He worked you through it, kissing and licking at your clit until you were pushing at his head to pull him off.

When he lifted his face from between your thighs, his face was wet, covered in you and he loved it. You laughed breathlessly as you saw him, still shaking slightly from your orgasm.

"Jeez, Mick. When did you learn to go down on a girl like that?"

He was a little lightheaded and a lot pussy drunk, but he still knew better than to mention any girl he'd been with before. "I want you to be the only girl I ever go down on again."

"Good answer," you said, and pulled him up to kiss you as a reward.

You could probably taste yourself on his lips but didn't seem to care as you kissed him hungrily. You tugged at his shirt, so he pulled it over his head. You ran your hands over his torso unabashedly, feeling his stomach and shoulders, bringing goosebumps to his skin as you ran your fingernails down his chest.

Despite having you crumbling apart under his mouth not three minutes ago, when you climbed into his lap and started kissing his neck, Mick felt like he was short circuiting.

Your dress had fallen back over your hips to hide it but he knew you were uncovered underneath the silky fabric. If his pants were off, he could be inside of you right now.

He slid the straps of your dress off your shoulders as you gripped his jaw and tilted his head to the side to kiss at his neck some more. He went pliantly, moaned softly at the feel of your teeth tugging at the sensitive skin where his neck met his clavicle.

He reached around to your back to unzip your dress. When you slid your arms out of the straps and he pulled the top of the dress down, he was finally able to get his hands on your boobs, taking big handfuls of each.

You were still kissing and licking his neck, teasing your teeth against his skin every so often. When he ran his thumbs over your nipples until they were hard under his fingers, your breaths grew shaky. He carefully let his nails drag over the firm peaks, pinched them between his thumbs and forefingers and tugged until you were arching into him.

"So handsy," you commented breathlessly.

"I want to touch every inch of you until you can recognize me by feel alone."

Mick dropped his head between your breasts, kissed the skin there and the side of your boob before you pushed him back. He whined as you deprived him of becoming acquainted with another part of yourself he already knew he would never get enough of.

Then, you stood and stepped out of your dress to leave yourself bare. He couldn't find a reason to complain.

He was prepared to slide to the floor at your feet. Then, you beckoned him toward you.

You had him sit at the edge of the bed again. You dropped to your knees. You popped the button of his pants. You pulled his boxers down just enough, and then his cock was stood at full attention just in front of your face.

He cursed under his breath. You heard it and smirked before licking up the underside of his cock. You wrapped a warm hand around him, stroked him a few times while kitten licking at his tip.

"Y/N. Liebe, please. Y/N, please."

You were not as easily convinced to dive in and give Mick what he wanted as he was with you. You didn't change what you were doing, just continued to let the tip of your tongue dance along the top of his cock while your hand moved on him slowly.

You finally closed your lips over the head of his dick and Mick could have come from that and nothing more. You popped him out of your mouth with an audible noise. Mick groaned; you would be the death of him and he wouldn't even fight against it.

You shot him a Cheshire grin. The sight was lewd and unbelievably hot: you, with a hand around his cock and a big smile on your face like you enjoyed nothing more than sucking him off. Mick was going to combust if he wasn't inside of you in the next two minutes.

"Y/N—"

He tried to tell you as much but your mouth was on him again and he couldn't get the words out. You swirled your tongue around his head, then your jaw opened and and you took as much of him in your mouth as you could. It was warm and wet.

Your tongue flexed against the underside of his dick when it hit the back of your throat. He could feel himself press into your soft pallet until you had to come up for air with a slight gag.

He couldn't bring himself to make you stop when you went back in for more. His breaths were short and labored, legs tense under your free hand as he mentally and physically had to hold himself back from coming down your throat.

He could imagine how you would gag around him when he did, pulling up to take his load just behind your lips instead. You might open your mouth after he had finished, show him your handiwork as it was pooled on your tongue before swallowing it all.

"Y/N, you have to stop. I'm going to come."

You took him out of your mouth to press a sloppy kiss to his cock. You pouted up at him as you let his length rest against your face. He could feel your eyelashes against it when you blinked.

"You don't want me to make you come?"

"I don't want to be spent yet. Come lay down for me?"

You let him pull you off the floor, kissed him as you crawled up the bed and laid yourself out on your back. He managed to kick his pants and boxers off while searching his suitcase for a condom then get back over to you without tripping over his own feet.

You giggled at his eagerness. Your hands ran over his chest as he ripped the packet open and slid the condom on. Your legs were already parted for him as he positioned himself.

He glanced up at you, not nervous but checking in. Your gaze was set on where your two bodies were about to fit together, hungry and expectant. Who was Mick to deprive you of what you wanted?

Entering you was as easy as anything with you was. You were still soaked from Mick's saliva and your own fluids. Your mouth fell open and your walls fluttered around him. A moan croaked past your lips as you gripped his arms.

"Holy shit, Mick."

He had to be sure, so he asked, "Are you alright?"

"I'm in fucking ecstasy. Oh my god, baby."

Mick started moving his hips, long, slow strokes in and out as you keened beneath him, panting from almost nothing at all. He could live off the noises you made for him. He snapped his hips against yours, was rewarded with a gasp and startled little mewl and your fingernails digging into his biceps.

"Mick, please."

He continued the same slow pace. In and out, almost languid, near torture but so worth the desperate way you pulled at his shoulders and hips, physically trying to get him to speed up, to give you more.

"Mick. Go faster."

"I love you." Anything for you.

He made a smooth transition from rolling his hips against yours to making them a piston, pace and weight faster and harder. He bore down on you heavier. You cried out, dragging your nails down his back to only spur him on.

He sat back, pressed down on you with his hands on the backs of your knees to fold you in half. You couldn't easily get away from him when he had you pinned down like this, thighs spread wide and pussy bared to be split open on his cock. You tipped your head back and moaned loudly.

"You've got to try and be quiet, baby," he told you; you were still in a hotel.

"You're making it really difficult."

Mick grinned but eased off just a bit. "Sorry—"

"Don't you fucking dare. Fuck me, Schumacher. Fuck me hard."

So, he did.

You were sticky, shaking, and more than satisfied when Mick was through with you. Three more orgasms, four different positions, and five I love you's later, you had passed out against Mick's chest after he had carefully wiped you clean.

The next morning, you and Mick came down for breakfast together. Max was already there; you usually ate breakfast with your brother if you were staying in the same hotel because there wasn't much time to see him elsewhere on race weekends.

When he clocked the way you and Mick were so casually close together, the little looks you kept sneaking, he smacked a hand on the table and pointed an accusatory finger in your face.

"I knew it!"

Mick went red.

You just rolled your eyes. "Shut up, Max."

. . .

a/n. this was partially inspired by this one max fic i read a while ago that i couldn't find again. it's schumacher!reader x max and reader is the one to tell michael about how jos treats max then reader and max reconnect years later. i think it was inspired by "seven" by taylor swift.

if anyone can find it/the author lmk and i'll give credit! hope you enjoyed <3

edit: credit is due to @mastermind123 (who i cannot tag for some reason) and their story, seven. go read it; it’s so cute!!

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soulcaketuesday · 2 months ago

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Eight of Pentacles 🌤️

Eight of Pentacles symbolises diligence, self improvement and learning new skills. Miki sits peacefully in an overgrown sunlit garden, having spent all day painting birdhouses. Instead of chasing his nostalgia, he's honouring it by creating something practical and new. Sometimes you need to let go of perfectionism and just enjoy the act of creating - it might not be a masterpiece that perfectly captures the magic of childhood, but putting a lot of effort and sincerity into a project will always be worth your time.

this is one of my pieces for a zine that was unfortunately cancelled. the other piece is here, go look at this kid winning the cycle of violence. drafts and notes below

will you guys make fun of me if i over-explain this to death 🥺👉👈 so um the inspiration for this is the start and end of ep26: starting with kozue trying to save a birds nest as a tree is being cut down, and ending with miki putting up a bird house to replace the tree. the bird house doesn't repair their relationship - they don't speak in the moment except to insult each other - but when we see them next in the finale they're a lot more comfortable with each other! is miki's birdhouse an empty gesture or is it the first shaky step to finding an understanding? idk 😊 i think its neat

i thought itd be nice if he was approaching art and creativity in a more relaxed way, just enjoying learning a new skill. repeating the same song over and over will only get you so far <3 i think this boy needs a new hobby <3

some things:

the designs of the birdhouses are based off the twins' bedroom. they start off a bit more messy and simple but get more detailed towards the bottom. he's getting better thru practice! and the last pentacle is still a work in progress

the fireflies were originally going to be flowers, and i think i spent like 20 minutes googling native japanese wildflowers that would grow in a setting like this and also had the right flower symbolism i needed 🫠 but anyway in one of the early check-ins someone said they liked the fireflies and i thought sure!!!! sounds good lmao :D imo they imply a late summers evening and a long day of outdoor work which probably works better than me struggling with flower symbolism lol

the shoes looks good as hell before i remembered i had to cover them up with grass and the frame. now they just blend in to the piano a bit. sad!

for some reason i did all the line art for this and then painted it anyway. why did i do that.

i'm still kinda fond of the first one with miki studiously leaning over a miniature rose garden while the actual garden grows wild around him... one of the interpretations of eight of pentacles (reversed) is being so focused on details that you overlook the bigger picture, which i think really fits miki as the student councils Bloke Who Does Fuck All. he has the appearance of someone who's very analytical and sensible, but he's so locked in his own tiny perception of the world that he mostly just comes up with whatever conclusions suit him best, regardless of any harm he might be ignoring or outright causing. HOWEVER that's kind of an ungenerous interpretation for a relatively chill card 😌 also i had no ideas for a background and the composition didn't work with the border so rip to that idea

i liked the stopwatches as pentacles so tried to reuse it in the third design but was out of ideas by then. the seconds thumbnail with the birdhouses and the piano kind of came naturally so that's what i went with :) and it more or less stayed the same in the final result. i was thinking of adding some kozue presence, like empty milkshake cups or a birds nest or graffiti on the side of the old piano, but imo that would have made it too cluttered. i literally did forget to add paint pots tho OOPS

#revolutionary girl utena #rgu #take my revolution tarot #mine.png #posting these without the frame #thats why theres a lot of empty space at the top and bottom

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felassan · 7 months ago

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Original post:

amirdrassil: "datamined veilguard character descriptions google doc is now complete. i've even organised all the characters into their respective factions and added a clickable table of contents!! yippee!!! [link]" [source]

Please note that this work and document resource was put together by amirdrassil on Twitter! they kindly gave me permission to cross-post it here. 🙏

DA:TV spoilers and long post under cut.

VEILGUARD DATAMINED CHARACTER DESCRIPTIONS These are all taken directly from the game files; wherever a character had interesting additional information such as accent, age range, or appearance, I’ve also included it.

GODS & SPIRITS

RETURNING CHARACTERS

COMPANIONS

CROWS

VEIL JUMPERS

WARDENS

SHADOW DRAGONS

LORDS OF FORTUNE

MOURN WATCH

KAL-SHAROK

MISCELLANEOUS

UPDATE (19/11/24): Added Teia, Viago, Anaris, Aelia, Hezenkoss and Rana. (Thank you to @/ZILVYR on Twitter for finding these ones!) I did my best to look through the files as thoroughly as I could, but if you find any more I missed, feel free to DM me on Twitter (@amirdrassil) and I’ll add them with thanks. :-)

I’m adding a disclaimer here, because I’ve seen a lot of people treat these datamined descriptions as absolute canon. Many of them are remnants of scrapped or altered storylines, meaning that they no longer align with the finalised story that the game presents. Please take everything you read here with a grain of salt, and where the game’s content itself directly contradicts the datamining, the former should always take precedent over the latter. At least as far as “canon” goes! And of course, it goes without saying, but please don’t use any of this datamining as an excuse to be mean to anyone; please understand that game development is a lot of hard work, and storylines are scrapped all the time as writers get new ideas or are faced with inevitable roadblocks from the game system side of things! No matter what, Veilguard was made with love. Anyways, feel free to use any of this as fuel for fanfiction, fanart, headcanons, or just healthy discussions about what the game might’ve been. Thank you very much, sorry for rambling and please enjoy!! :-)

GODS & SPIRITS

SOLAS AGERANGE: 40 CHARACTERDESCRIPTION: Solas, from the previous game. (Some characters also have a TTS voice assigned to them, and Solas’s is “PeterSad22k_HQ”, which makes me laugh/cry, as no other major character so far has had their TTS voice specified as being the “sad” variant.) ELGAR’NAN AGERANGE: 99 ACCENT: British Isles; an ancient contemporary of Solas. CHARACTERDESCRIPTION: Ancient elven god-king. Blighted. GHILN’NAIN AGERANGE: 35 ACCENT: British Isles; an ancient contemporary of Solas CHARACTERDESCRIPTION: Ghilan'nain is our sinister Mad Scientist god. Analytical and curious, she uses magic to mutate people into powerful but disturbing forms. She often lists things in a clipped fashion, cataloguing as she sees. She's obsessed with experimenting on all kinds of living beings, viewing everyone (except her fellow god, Elgar'nan) as potential "stock". She's pitiless about her work—Ghilan'nain will happily slice open a hundred people for parts—but is not purposefully sadistic. It's nothing personal. She can be angered, however, by people interfering in her plans. When she is, rage runs cold. Some backstory: Ghilan'nain is an ancient, now corrupted, elven god. She rose to power thousands of years ago by creating living wonders, and had the distinction of being the only mortal elf uplifted into the pantheon. She embraced the corrupting power of a force called the blight in order to improve her magic, and has been unalterably twisted by it over the centuries. BETRAYAL OF FELASSAN CHARACTERDESCRIPTION: A powerful undead born from Solas's regrets and betrayals (in this case, Solas's murder of his friend Felassan by stabbing him in the back).

FALL OF THE PROTECTOR CHARACTERDESCRIPTION: A powerful undead born from Solas's regrets and betrayals (in this case, the death of Mythal). SLAUGHTER OF THE PILLARS CHARACTERDESCRIPTION: A powerful undead born from Solas's regrets and betrayals (in this case, the murder of the Titans). SPIRIT OF PROFIT CHARACTERDESCRIPTION: A Spirit of Profit who has set up shop in the Crossroads. They are friendly, but very single-minded and tend to speak in one or two word sentences, mostly about profits. SPEECHPATTERN: Simple, clear expressions of intent. This merchant is a spirit with a singular mind (i just thought this one was neat!) GENERAL FELASSAN AGERANGE: 40 CHARACTERDESCRIPTION: The second in command of a resistance army. You've an elf who's fought against the tyranny of your gods, cruel despots who've enslaved your people. You're practical, level-headed, and have good sense for what other people are feeling, which makes you well-suited for your role. Your leader is an elf called Solas, a powerful mage who isn't quite the people person you are. You respect him, and are there to help him with whatever he needs - especially when he needs guidance about being the face of a resistance. THE CARETAKER SPEECHPATTERN: Simple, mysterious, with a sense of vast wisdom and power ARCHETYPE: Angel / otherworldly helper who gives the player what they truly need, not necessarily what they think they want. CHARACTERDESCRIPTION: A mysterious masked and cloaked spirit. They are patient, otherworldly, and helpful... in their own way. The Caretaker is the guardian of the Lighthouse, a magical shelter. Unknown to the player, the Caretaker is what remains of a truly ancient dragon, who long ago took on the form of this spirit. Underlying their patient and otherworldly nature is a sense of strength. The Caretaker was summoned centuries ago by ancient elves, the original builders of this place. Now it has new inhabitants: the player and their friends. You're guiding them through the mysteries of the Lighthouse, but do not give any straight answers. It's important to you they bridge the gap themselves. NOTE: The Caretaker is referred to as they/them because they're a supernatural entity (as opposed to the more normal human non-binary characters in the game.) We'd like a feminine voice to differentiate them from some of the other spooky/mysterious spirits in the game who sound masculine (e.g. Vorgoth.)

SPIRIT OF CHAOS CHARACTERDESCRIPTION: A spirit of chaos and freedom, unleashed by Solas to break through a labyrinth to his ally Mythal. SPIRIT OF NEED CHARACTERDESCRIPTION: A spirit heavily implied to be the Caretaker in another era, speaking with Solas about the attempt to rescue Mythal. Speaking with the spirit, Solas makes it clear that he will sacrifice anything to save Mythal. ANARIS AGERANGE: 35 (no other info except what’s in cyrian’s description) XENON THE ANTIQUARIAN CHARACTERDESCRIPTION: A nobleman who made a deal for immortality which did not include eternal youth, Xenon is the master of the Black Emporium, a shop selling curiosities from his personal collection of magical items.

RETURNING CHARACTERS

THE INQUISITOR AGERANGE: 30 APPEARANCE: Inquisition uniform under a long cloak with hood. ARCHETYPE: Relatable leader and mentor CHARACTERDESCRIPTION: The Inquisitor, the protagonist from DA:I. Confident, knowing, they are still the head of a powerful organization, but now act in a mentor role. They would bring too much attention if they get personally involved, so they are looking for the right people to act for them. CHARTER AGERANGE: 30 CHARACTERDESCRIPTION: A returning character from DA:I, Charter serves as Rook's link to/mouthpiece of the Inquisitor and what's left of the Inquisition. VARRIC CHARACTERDESCRIPTION: Varric! DORIAN CHARACTERDESCRIPTION: It’s Dorian! MORRIGAN AGERANGE: 40 SPEECHPATTERN: Morrigan-y. CHARACTERDESCRIPTION: Returning character from previous games. ISABELA AGERANGE: 50 APPEARANCE: Well-aged but perfectly maintained warrior gear for close and brutal fighting. Two possible appearances, depending on how the player resolves her past: 1. Dark black dyed hair 2. Red hair with streaks of grey CHARACTERDESCRIPTION: Isabela from Dragon Age II

COMPANIONS

HARDING AGERANGE: 29 ARCHETYPE: Girl-next-door CHARACTERDESCRIPTION: Scout Lace Harding, from Inquisition. It's been almost a decade and Harding's a little older and wiser, but she still thinks of herself as the simple country girl from Ferelden. Harding is cheerful and friendly, and always tries to be positive. She is kind, warm and compassionate, quick to laugh and slow to anger. EMMRICH AGERANGE: 50 CHARACTERDESCRIPTION: Follower - will have an audition script. MANFRED CHARACTERDESCRIPTION: An undead skeleton that serves as Emmrich's faithful assistant and companion. Manfred is curious, loyal, innocent, and wants to be helpful. He doesn't speak at first, only replying in hisses that express his mood. Over the course of the game, however, as he learns more, Manfred eventually surprises everyone by speaking in short, one or two word sentences. ASSAN (listed as “GRIFFON”) CHARACTERDESCRIPTION: Davrin's griffon. A VO character so he can squawk and screech during banter and ambients. LUCANIS AGERANGE: 36 ACCENT: Hint of Italian, but not as strong as Zevran's. (He is from a coastal city in Antiva, which had an influx of Tevinter refugees from Seheron after the Qunari invaded 100 years or so ago. That’s why he looks and sounds different from Zevran and Josephine.) APPEARANCE: Lean, sinewy, handsome, but haunted Antivan human man. Mid thirties. CHARACTERDESCRIPTION: Once the heir to the First Talon and the Antivan Crows' best mage killer, Lucanis now bears scars both physically and mentally from his time as a brainwashed executioner for an evil mage cult. No longer the pragmatic assassin always in control, he wrestles with becoming what he’s spent his life hunting: a demon-possessed abomination. He longs to return to his former glory, but the monster inside him demands blood and vengeance. With his future hanging in the balance, Lucanis must decide whether to give into the demon or control it.

DAVRIN (he doesnt have anything aaaaa) BELLARA (she doesnt have anything either aaaaaaaaaa) NEVE AGERANGE: 30 CHARACTERDESCRIPTION: A mage who knows the streets of Minrathous, Neve helps investigate crime in Tevinter's capital. Hired by Varric to assist in the fight against Solas, Neve brings her unique blend of time and ice magic, along with her investigative skills, to the team. Neve is clever and driven, with a dry-but-playful sense of humour. She can be cynical about the world - especially Minrathous - but she believes in doing the right thing herself and has a strong sense of duty. TAASH CHARACTERDESCRIPTION: Taash is a Qunari agent with a specialization in infiltration -- a thief, basically. She can scale buildings, pick locks, and take out enemies with quick and brutal efficiency. She is also blunt and laconic -- more likely to answer with a single word than give you a big long monologue. She's not grumpy as much as badass deadpan -- she doesn't trust people in general, and she doesn't like thinking or talking about her feelings, but she believes in what she does. (Taash correctly has the “NonBinary” gender tag, but unfortunately the CharacterDescription field misgenders them. However, it also seems there are some things here and there that changed in early development, like the Qunari agent thing.)

CROWS

TEIA AGERANGE: 28 ACCENT: Italian/Spanish SPEECHPATTERN: Warm APPEARANCE: Elven female, mid to late twenties CHARACTERDESCRIPTION: Passionate, showy, hot-blooded, flirtatious, and arrogantly confident. Teia believes she's a celebrity athlete who will die gloriously before she gets old and live forever in song. She has no guilt about being an assassin, and thinks anyone who judges her for it just doesn't understand how things work in Antiva, or indeed anywhere in the world where powerful men play games. Abandoned as a child, she has a soft spot for the downtrodden. VIAGO AGERANGE: 32 ACCENT: Italian/Spanish SPEECHPATTERN: Formal, hint of snobbiness APPEARANCE: Human male, early thirties RACE: Human (Brazilian) CHARACTERDESCRIPTION: Calm, ambitious, and ruthless, Viago is the bastard son of the late King of Antiva. As a high-ranking member of the Crows, Viago has just as much influence as the Monarchy, but he still resents the fact that he is not a legitimate heir and feels his birthright was stolen from him. Beneath his cool exterior is a lot of anger and frustration. He will not be satisfied until he sits upon a throne. ILLARIO AGERANGE: 35 SPEECHPATTERN: Charming but with a hint of smarminess. ACCENT: Italian APPEARANCE: Ativan pretty boy CHARACTERDESCRIPTION: Antivan pretty boy. Mid 30's. Illario is a power hungry assassin who cares only for himself. On the surface, he is a fun-loving, upperclass Antivan with a weakness for wine, duels, and gambling. But beneath that shallow facade is a calculating, ambitious man with grand plans for the Crows.

SPITE SPEECHPATTERN: Taunting, sing-songy, creepy CHARACTERDESCRIPTION: The demon trapped inside Lucanis's head. Spite was once a Spirit of Passion drawn to Lucanis's will to live, but years of torture and a desire for revenge has twisted him into a Demon of Obsession. CATERINA AGERANGE: 80 ACCENT: Italian/Spanish APPEARANCE: Older Korean-Spanish or Korean-Italian woman (from the same region as Lucanis). Can easily play the part of both sweet grandmother and mafia boss. CHARACTERDESCRIPTION: The Godmother of the Antivan Crows. Sassy, ruthless older woman of power, who will do anything for the success and protection of her family/house. ZARA AGERANGE: 35 APPEARANCE: Beautiful human mage. Mid 30’s. SPEECHPATTERN: Soft and teasing with a Tevinter accent. Upperclass, so formal, but not cold. More of a sensual snob than an ice queen. CHARACTERDESCRIPTION: A vain, hedonistic Tevinter Magister, who uses the blood of her slaves to stay young and beautiful. She is Lucanis's nemesis and is the one responsible for forcing a demon inside his head. CALIVAN AGERANGE: 55 SPEECHPATTERN: Formal, snide CHARACTERDESCRIPTION: Calivan is the prison warden in charge of the Ossuary. He is as cruel as he is curious and likes to experiment on his inmates with blood magic. GOVERNOR IVENCI AGERANGE: 45 SPEECHPATTERN: Formal, curt, demanding APPEARANCE: A Trevisan government official. They don't go around armed, because they secretly know they don't have anything to fear from the occupation. ARCHETYPE: Money-respecting Official demanding the heroes stop disrupting the status quo. CHARACTERDESCRIPTION: Governor Rayan Ivenci is a non-binary human, about 45, Trevisan with a Caucasian appearance. They used to be a mercenary and still have the skills, but have softened somewhat as they aged. They have been a government official for a decade, and have grown sick of being a toothless figurehead. The Crows are the true authority in Antiva, relegating officials like Ivenci to almost symbolic bookkeepers. Ivenci thinks the Crows are spoiled mascots, and Treviso should be ruled by serious figures who don't waste time on petty rivalries and theatrics. Ivenci allowed the occupation and has made steady profit from it, selling out Treviso with the intent that the Crows would be killed fighting the Antaam, expecting that and when Antiva eventually ousted the Antaam, Ivenci would solidify power before Crow houses in other cities could re-establish here. Under Ivenci, Treviso would be the thin edge of the wedge that ended the Crows power. But the Butcher didn't rampage, and didn't kill all the Crows. This has left Ivenci pretending to help fight the occupation, while also chastising the Crows for stirring up trouble. Once the Butcher is dead, Ivenci casts aside any pretense and simply takes power.

FLETCHER AGERANGE: 30 SPEECHPATTERN: Measured, serious. ARCHETYPE: Connected merchant guild leader ACCENT: Antivan APPEARANCE: Fletcher is a tradesperson and a skilled combatant with a bow. They are always dressed for travel. They aren't flashy, preferring to appear as their own guard instead of a merchant hawking wares. CHARACTERDESCRIPTION: Fletcher is a human Crow with merchant ties. Skilled in bows and ranged support, they are kitted for travel and protecting people and goods on the move. They are non-binary, tall with a thin build that codes slightly feminine. Ethnicity can be anything.

HEIR AGERANGE: 40 SPEECHPATTERN: Calm, measured. Almost dispassionate. ACCENT: Orlesian APPEARANCE: She is pale with short dark hair and an Orlesian accent. Dressed in good light armor befitting someone who trains others in small-weapon combat and takes the occasional hit. She was the assassin trainer in Inquisition, but it's been many years and doesn't need to match the appearance except in a general sense. CHARACTERDESCRIPTION: Heir is a Dalish elf who acts as a trainer and mentor for young Crows. JACOBUS AGERANGE: 15 ACCENT: Antivan SPEECHPATTERN: Sullen teen with an axe to grind APPEARANCE: Young, skilled, lithely muscled. Jacobus is well trained in double-daggers, but has the typical lack of discipline of an undirected teen. CHARACTERDESCRIPTION: Jacobus is a young male Crow who is in danger of losing himself to vengeance. He should be as young as we can make him. If he can't be a child, he should be no older than 15. His family were killed by the Antaam, and the hate is still fresh. Skilled in daggers, he is lithe and quick, but sullen in his mannerisms. He doesn't smile yet. Ethnicity can be anything. ARCHETYPE: Youthful spite for the world NOA DE ACUTIS AGERANGE: 55 ACCENT: Antivan SPEECHPATTERN: Formal with strangers, warmer with her brother. APPEARANCE: Older veteran Crow female duelist CHARACTERDESCRIPTION: Noa is an older female in her late 50s. She has been a Crow for all of her life, and remains capable and fit. Her build has the old-woman wireyness of a duelist's body that was fit her whole life. She is slow to smile, and is the more serious of the de Acutis siblings. Ethnicity can be anything, but needs to match her brother Neri encountered in the Crow plots. ARCHETYPE: Older sister, skilled assassin

NERI DE ACUTIS AGERANGE: 55 ACCENT: Antivan SPEECHPATTERN: Thoughtful, homespun APPEARANCE: Classic swordsman assassin, with an old-fashioned flare. He doesn't look dated, he looks distinguished. A godfather displaying modern tradition. CHARACTERDESCRIPTION: Neri is an older male in his late 50s. He has been a Crow for all of his life, and remains capable and fit. His build has the old-man-strength of a swordsman's body that was muscular his whole life, but has now lost some of the mass as he transitioned to a mentor or godfather role. He has a hard face, but is quick to a melancholy smile. Ethnicity can be anything, but needs to match his sister encountered in a later plot. ARCHETYPE: Stern but loving godfather FLEDGLING DARTONIA AGERANGE: 17 SPEECHPATTERN: Tentative due to inexperience. More confident after seeing Rook in action. CHARACTERDESCRIPTION: A young person in training to become an assassin. Nervous because of inexperience, but capable and willing. Farming background. Hunted for food. Now living in the city because the lands were lost to occupation. Dartonia and Temitri are encountered in the Crow sanctum, the Diamond casino. They chat casually with each other about how their training is going, and the things they've heard about. They are young recruits to the Crows, still getting used to their training and the strict but caring manner of their trainer, Heir. They respect and have a little fear of the veteran Crows like Viago and Lucanis. Especially Lucanis, who is a figure of some renown.

FLEDGLING TIMETRI AGERANGE: 17 SPEECHPATTERN: Over-disciplined to compensate for inexperience. They relax after seeing Rook in action. CHARACTERDESCRIPTION: A young person in training to become an assassin. Overcompensating for inexperience, but capable and willing. Traveled with a military family. Used to discipline, but has crafting hobbies like making various kinds of dolls. TREVISO GONDOLIER AGERANGE: 50 CHARACTERDESCRIPTION: A blue collar gondolier pilot who runs errands in the canals of Treviso. Used to slipping past patrols for stealthy deliveries, before and during the occupation. Fit from daily work, you are no soldier or assassin, but you help in your way. ARCHETYPE: Workaday everyman who helps the assassins get from place to place. QAMEKMASTER CHARACTERDESCRIPTION: The Antaam Qamekmaster is a fanatic who normally is in charge of brewing the horrible mind-stealing poison, qamek. Like all Antaam, he is large, muscular, and has a soldier's mentality. However, now he is giving in to the corruption of the gods. He thinks this makes him better than the regular Antaam, and he's been locked up by the Butcher because of it. When Rook finds them, they willingly succumb to the corruption entirely, and become a monstrous creature called a Reaver. Once transformed he is a massive, fleshy juggernaut consumed by fervor and rage. Most of his dialogue is combat as the transformed Reaver. CHANCE CANDIDE AGERANGE: 25 SPEECHPATTERN: Confident, with a flare for the dramatic. CHARACTERDESCRIPTION: Standard Crow garb on a young man. Chance is a stylish, dramatic Orlesian who joined the Crows to be their emmisary among the courts of Orlais. (French accent.) He has since joined the effort in Treviso, and is fighting the Antaam occupation alongside his fellow Crows. He has chosen to rally people in the underbelly of town, which is a bit of a contrast from his previous position, but that's what he likes. He's the bright spot in a dark time for many people. ARCHETYPE: Gentleman assassin

MARKET MASTER AGERANGE: 45 SPEECHPATTERN: Friendly but businesslike APPEARANCE: Market master in expensive clothes. CHARACTERDESCRIPTION: The all-business master of the market in Treviso. She's frustrated by the occupation, but uninterested in discussions about who should be in charge. She's only interested in getting whoever is at the head out of the city's business. Her name is Master Sidestreet Alidare. Sidestreet is a nickname representing her low origins and her ability to do deals on the side.

VEIL JUMPERS

CYRIAN AGERANGE: 30 CHARACTERDESCRIPTION: Bellara's brother. Zealously dedicated to the rebirth of the elves. Half-possessed by Anaris, an ancient elven would-be god who lives inside a magical mask. STRIFE AGERANGE: 50 CHARACTERDESCRIPTION: One of the Dalish faction agents. Strife is a keen-eyed hunter who grew up in the elven city slums, but was taken in by the forest-dwelling Dalish elves and taught to be an expert woodsman. He's rugged, tough, adventurous, and doesn't suffer fools. He feels some disconnect between his city-upbringing and his current role as a hunter - somtimes Strife worries he's an imposter, not truly growing up with his people, but he's tried to take their teachings to heart. Strife is loyal to those who earn his friendship, and fiercely protective of his clan. IRELIN AGERANGE: 25 CHARACTERDESCRIPTION: A Dalish elf who grew up in the woods, Irelin has learned the ancient and incredibly rare art of shapeshifting. She uses this ability to move secretly in the forest, scouting for her people. Practical and no-nonsense when it comes to defending her clan and her friends, she has a healthy distrust of outsiders, especially the humans who've persecuted and exploited her people for so long. Irelin takes a secret joy in the thrill and power of shapeshifting, however. She loves exploring as the different animals of the forest, and knows some of their paths better than anyone.

WARDENS

ANTOINE AGERANGE: 25 ACCENT: French (Orlesian) CHARACTERDESCRIPTION: Antoine is a cheerful and enthusiastic member of the Grey Wardens. He's quick-witted and willing to run with a crazy plan. Compassionate and kind, he'll put his life on the line to protect others. (filename tag is “agent_improviser”) EVKA AGERANGE: 30 CHARACTERDESCRIPTION: Evka is a devoted member of the Grey Wardens. She's a good-natured pragmatist who's calm under pressure and not easily fazed by the monsters of Thedas. Despite her professional attitude, she isn't above some mild sarcasm or gallows humour. (filename tag is “agent_tracker”) WARDEN GRETA AGERANGE: 30 CHARACTERDESCRIPTION: A Grey Warden lookout. Greta is friendly, personable, and loves being a Grey Warden. She is generally positive (though has a low moment following the fall of the Warden base Weisshaupt). Greta provides information to Rook and always welcomes a chat. If Rook is a Grey Warden, Greta has met them before--they both became Wardens around the same time. Greta doesn't know Rook well--it's more like running into an old school mate--but she likes them. WARDEN RHODRI AGERANGE: 30 CHARACTERDESCRIPTION: A Grey Warden lookout. Rhodri is determined and brave. He worries about other people, but tries to show confidence so others are not afraid. He prefers simple solutions to complex plans.

HOLDEN AGERANGE: 35 CHARACTERDESCRIPTION: The father of Mila, the little girl in Weisshaupt mission. MILA AGERANGE: 9 CHARACTERDESCRIPTION: A plucky little girl Rook meets during the siege of Weisshaupt. JAYNIE AGERANGE: 40 CHARACTERDESCRIPTION: A Grey Warden lookout. Jaynie is organized and observant. She's someone who likes to have a plan. She is a loyal friend and has a dry sense of humour. Jaynie believes you should always try your best. FLYNN AGERANGE: 30 CHARACTERDESCRIPTION: Flynn is the local physician in Lavendel. They recently went through the Warden Joining ritual which gives them Warden abilities (though they will remain a doctor). Flynn is smart and compassionate. A pacifist who is somewhat soft-spoken and has a self-deprecating sense of humour. (there’s other minor wardens with names and short personality descriptions; if you’d like any of them just let me know. to the nobody that is reading this. i have a headache rn. but i will persevere.)

SHADOW DRAGONS

TARQUIN AGERANGE: 39 CHARACTERDESCRIPTION: Tarquin is a burned-out templar who had the idealism beat out of him years ago. He now fights with the Shadow Dragons, offering a more cynical, realistic view that often contrasts with the idealistic and impulsive Viper. Tarquin is a trans man. SPEECHPATTERN: Gruff, deadpan. (filename tag is “agent_cop”) THE VIPER AGERANGE: 30 (filename tag is “agent_vigilante”) MAKAL DAMAS AGERANGE: 45 ACCENT: British/Tevinter-Appropriate CHARACTERDESCRIPTION: The secret head of a criminal organization. Calm, businesslike, and shrewd. He may run a crime network, but he has a sense of loyalty and a code. That said, he'll be violent and ruthless when needed. ELEK TAVOR AGERANGE: 30 ACCENT: British/Tevinter-Appropriate CHARACTERDESCRIPTION: Charming and friendly con artist. Friends with Neve despite being on opposite sides of the law. CAT CHARACTERDESCRIPTION: A cat. HALOS AGERANGE: 50 CHARACTERDESCRIPTION: A blunt-but-kind merchant. Knows he sells the best food in the city. Neve is his most regular customer and therefore his favourite.

LORELEI AGERANGE: 40 SPEECHPATTERN: Fereldan, from Denerim, so she should have an accent that matches our Fereldan accents. CHARACTERDESCRIPTION: Lorelei is an elf who runs the pawn shop that conceals the Shadow Dragons' hideout. Lorelei was originally from Ferelden, captured and sold to Tevinter slavers. She has since been freed thanks to the Shadow Dragons, and continues to work for them. MAEVARIS TILANI AGERANGE: 50 CHARACTERDESCRIPTION: Maevaris Tilani is a powerful, notorious Tevinter magister who was one of the founders of the Shadow Dragons. Respected by some, and hated by others, Maevaris will not rest until she achieves her dream of changing Tevinter for the better. Maevaris is a trans woman and her first appearance was in the comic book, Dragon Age: Those Who Speak. AELIA AGERANGE: 30 ACCENT: British or Tevinter-appropriate CHARACTERDESCRIPTION: A devoted member of the Venatori who believes Minrathous must return to its former glory. Neve foiled her plans in the past. Cold, determined, passionate. RANA SAVAS AGERANGE: 30 ACCENT: British/Tevinter-appropriate CHARACTERDESCRIPTION: A determined and idealistic templar. By-the-books, she believes in following the law and that rules are the best. Doesn't give up or compromise her ideals despite the corrupt system she finds herself in.

LORDS OF FORTUNE

DRAGON KING AGERANGE: 45 SPEECHPATTERN: Blunt, arrogant. A brutal warlord or crime boss. Also speaks lines in the Qunari language. APPEARANCE: Big Qunari (ox-man) with enormous shoulders and battle scars. Old enough to be a military commander, but not so old that anyone would think of him as weak. Big, brutal, mean. CHARACTERDESCRIPTION: The Qunari in charge of the Antaam in this area. Used to be a military officer, but when the Antaam went rogue, he became something like a warlord of cult leader. A powerful warrior with a booming voice. He should sound like the paragon of big dangerous evil masculinity, and he makes his warriors go through painful rituals to prove their devotion. He's strong, blunt, and devoid of mercy or empathy. Will likely kill anyone he doesn't see as useful or entertaining to him. Basically, a bad guy doing his evil bad guy best. SHATHANN AGERANGE: 50 CHARACTERDESCRIPTION: Qunari woman in her 50s. Former Qunari government worker who fled with Taash when Taash was revealed as a fire-breather. CUTTER AGERANGE: 24 APPEARANCE: A Qunari, but only about as tall as a human -- short by Qunari standards. Dresses as a mercenary, fashionable because he's full of himself. CHARACTERDESCRIPTION: Cutter is Qunari, but he grew up in Rivain and acts human (ie, he does not follow the Qun or even know much about it). He's a junior member of the Lords of Fortune, the same mercenary band Taash is in. He's young, cocky, and jealous of how strong and competent Taash is. He wants the respect Taash has earned, and when he doesn't get it, he betrays Taash and sells them out to the Dragon King. Generally speaking, he should act with the kind of smug, entitled confidence of someone who doesn't have much real-life experience -- bluster with jealous insecurity underneath.

KARASH AGERANGE: 50 SPEECHPATTERN: A little stilted and formal, because he grew up speaking another language. CHARACTERDESCRIPTION: A middle-aged Qunari man who was a civilian navigator and weather expert assigned to work on a military vessel. After seeing the military commit war crimes, he deserted, and now lives alone on a beach, doing odd jobs and keeping to himself. He is polite but withdrawn, a little cautious around strangers. Taash (and Taash's mother, Shathann) bring him food from time to time, and he is much more comfortable around Taash, talking to her more like an old uncle. (Again, incorrect pronouns used for Taash here in the character notes.)

MOURN WATCH

MYRNA AGERANGE: 25 CHARACTERDESCRIPTION: Myrna is a necromancer from Nevarra. Utterly precise diction, calm demeanor. Crisp, polite, and intimidatingly competent. Myrna often speaks in declaratives, and absently drops archaic or obscure words at least once a conversation. She's not unfriendly, however, and firmly on the side of those doing good. Myrna is part of the Mourn Watch, an elite group of necromancers who run Nevarra's sacred repository of the dead: the Grand Necropolis. They also protect people from occult dangers, a duty she takes seriously. VORGOTH CHARACTERDESCRIPTION: Vorgoth is deep-voiced, solemn, and imposing. They're a member of the Mourn Watch, an elite group of necromancers from the kingdom of Nevarra. But what Vorgoth is exactlyâtheir species, age, gender, whether or not they're aliveâis a mystery, shrouded and masked in a cloak. Vorgoth clearly has supernatural powers, however. Even their voice has an otherworldly echo. Vorgoth doesn't speak much, and only in short sentences. As one of the Mourn Watch, they help guard Nevarra's sacred burial complex, the Grand Necropolis. Like all Watchers, Vorgoth is also sworn to stop occult threats to this world, and takes this duty seriously. NOTE: Vorgoth is masculine in appearance (tall, broad) and voice, but their pronouns are "they/them". Vorgoth does not use they/them because they are non-binary (as opposed to our more typical non-binary characters); they use them because they're a total unknown (and may be a pluralistic entity; in the rare instance Vorgoth refers to themselves, they use "we" not "I".) HEZENKOSS AGERANGE: 50 CHARACTERDESCRIPTION: Arrogant, supremely confident, and spiteful, Johanna Hezenkoss is a "mad-genius" necromancer supervillain with grand plans to conquer the kingdom of Nevarra. Hezenkoss is all feverish energy and big, sudden gestures. She is constantly fueled by an overwhelming ambition and rage. Hezenkoss is probably as intelligent as she boasts, incredibly powerful, and filled with a seething resentment that people try to keep stopping her from ruling everything. Foremost among these people is Emmrich Volkarin, her former friend and fellow necromancer. Johanna and Emmrich have known each other for decades-they used to work on magical research together in the Mourn Watch, an elite order of Necromancers. They had a falling out when a power-hungry Johanna started practicing forbidden necromancy and was kicked out of the Watchers for it. Ever since then, Johanna and Emmrich have clashed as he's tried to stop her villanous schemes. In this game, Hezenkoss has crafted her most diabolical plan yet: a 10-story tall bone golem that can drain peoples' souls and crush anything in its path. She'll stop at nothing to complete it so she can take over Nevarra's capital city. Emmrich and his new friend Rook, frustratingly, stand in her way.

LICH LORD CHARACTERDESCRIPTION: This is lich: an ancient, undead mage. Her speech is formal, authoratative, and occasionally sharp when she has little patience for the living. Speaks in shorter sentences, as she's so old she's fallen out of the habit of vocalizing too much. While impossingly sinister-looking, she's not evil. She just has a viewpoint that thinks in centuries instead of years. KEEPSAKE CHARACTERDESCRIPTION: A spirit that guards the Grand Necropolis, an enormous underground complex full of the sacred dead-and undead. There's a lot of possessed skeletons wandering around down there. Keepsake manifests as a glowing, floating, see-through skeleton in a shroud. Keepsake has worked with the necromancers who take care of the Necropolis for ages, and knows a lot about what's going on down there. Sometimes mocking or sardonic, with a dryly morbid sense of humor, it's still dedicated to helping people. Keepsake always appears with its companion spirit, Curio, who's the more positive and upbeat of the pair. CURIO CHARACTERDESCRIPTION: A spirit that guards the Grand Necropolis, an enormous underground complex full of the sacred dead-and undead. There's a lot of possessed skeletons wandering around down there. Curio manifests as a glowing, floating, see-through skeleton in a shroud. Curio has worked with the necromancers who take care of the Necropolis for ages, and knows a lot about what's going on down there. Its chatty and friendly, often deeply curious. A strange, whimsical being, intrigued by the mortals who wander through. Curio always appears with its companion spirit, Keepsake, who's the more sardonic and cynical of the pair.

SEALED SPIRIT CHARACTERDESCRIPTION: A prideful, ancient demon that's been sealed away for centuries. You're malevolently curious about what makes these foolish mayfly mortals tick. As part of your imprisonment, you've been splintered into multiple bodies with the same mind. You use them to goad the player, hoping they'll try to defeat you, because you think you can manipulate them into freeing you from your prison. If they do, you have a surprise for them: once freed, you can possess an undead dragon, wrecking untold devastation on the land that thought it could chain you.

KAL-SHAROK

STALGARD AGERANGE: 40 CHARACTERDESCRIPTION: Stalgard is a dwarf from Kal-Sharok, a mysterious dwarven city that has very little contact with the outside world. Stalgard is stoic and steadfast and serious, with a strong sense of honor. DURRA CHARACTERDESCRIPTION: Durra is a dwarf from Kal-Sharok and Stalgard's sister. She is one of Kal-Sharok's historians, known as "Stewards of Memories." Much like her brother, Durra has a strong sense of honor, but is a lot less serious. STONE ORACLE CHARACTERDESCRIPTION: The Oracle is a mysterious entity. known to the Kal-Sharok dwarves. They revere her as a spiritual figure. She is connected to the Titans and makes herself known through a strange rock statue. The Oracle was originally Shaper Valta (first seen in DAI's 'The Descent' DLC). After Valta connected with the Titan in the Wellspring, she became the Oracle and made herself known to the Kal-Sharok dwarves. All Oracle lines should have audio processing on them.

MISCELLANEOUS

THE SCHOLAR CHARACTERDESCRIPTION: A self-important, uptight scholar. He is trying to prove himself to the academy and will go to any means to do so--including murder if that's what must be done. THE EXECUTOR APPEARANCE: Human-appearing CHARACTERDESCRIPTION: A masked and hooded figure that speaks like someone unfamiliar with language in general. Stilted, awkward, but with a low menace. SPEECHPATTERN: Stilted. Is trying to form words from thoughts that are far more complex than a regular person's.

[source]

again please note that this work and document resource was put together by amirdrassil on Twitter! they kindly gave me permission to cross-post it here. 🙏

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cyle · 2 months ago

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On February 11, 2025, Blue Shield discovered that, between April 2021 and January 2024, Google Analytics was configured in a way that allowed certain member data to be shared with Google’s advertising product, Google Ads, that likely included protected health information. Google may have used this data to conduct focused ad campaigns back to those individual members. We want to reassure our members that no bad actor was involved, and, to our knowledge, Google has not used the information for any purpose other than these ads or shared the protected information with anyone.

... what? isn't that exactly what Google Analytics and all Google products do? use the data to sell ads? did somebody just not understand what Google Analytics is before they set it up? i'm so confused how this is a data breach.

at the same time, i am glad it's considered a data breach, because more people should know how closely tangled literally everything is with advertising.

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mykoreanlove · 1 year ago

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If you’re an over-thinker, you’re an under-feeler

You had been isolated for the last couple of hours - ever since you came back from your doctor‘s appointment you were absentminded, too preoccupied with researching your newfound condition.

Your boyfriend checked in on you every other hour but didn’t dare to interrupt you. You were laying in your bed, scrolling through your phone, trying to find all the missing answers.

„Acid reflux… sour taste… sore voice…medication“, you mumbled under your breath.

Seonghwa watched you for the tenth time this evening - your forehead was creased with concern, not really understanding why your body was suddenly betraying you.

He loved you, he really did. You completed him in ways which he had never dreamed of: you were analytical, prone to detail and observant. But you were also prone to anxiety, in danger of getting lost in your own destructive thoughts.

„How many hours can one google this shit“, he muttered under his breath.

„Suffering…Surgery…Depression“, you coaxed as your voice broke from fear of what was about to come.

„Okay, that’s enough“, he sternly entered the room, sitting at the end of the kingsize bed.

„What is?“

„You doing this to yourself, y/n. We’re going to find a solution baby, but this is not it“, he folded his arms authoritatively.

„Seongie, please. I have to research this, I have to understand. I don’t want to be in pain anymore“, you sobbed quietly.

„I know, baby. But reading blog entries from strangers for hours only stresses you out. How many times are you overthinking the same problem? Like, that doesn’t help. Don’t you think?“

„No“, you snapped back.

Seonghwa knew that it was pointless to argue with you. After all, you were a thinking person whereas he was more of the feeling nature. How was he to distract you from your endless mind chatter?

Suddenly, an idea struck him.

He pushed the blanket away and started kissing your shins.

„What are you doing?“, you asked irritated.

„I am helping you getting out of your head and back into your body, princess. Just relax.“

„Seongie, I don’t want to relax. I want to read and think. I need to overthink, I need to focus on my fucking problem!“, you snapped desperately.

Seonghwa didn’t break eye contact as he was kissing upwards, getting dangerously close to your core.

„See baby, I know this is what you want. But it’s not what you need. What you need…“, he paused to take off your lacy panties, „is to take a break from thinking. Let me help you with that.“

Seeing your precious pussy made him inhale sharply. No matter how often he got to bury himself in between your thighs, he always cherished it like it was the first time.

The colours, the taste, the smell - he was biting his lip in anticipation.

„Ugh, fine“, you gave in and fell back on to the mattress. Seonghwa‘s hand slowly reached for your phone, placing it behind him.

„My poor baby. So stressed out“, he cooed in between your legs.

„Even your beautiful pussy is dry. That’s no way to live, don’t you think?“, he asked seductively.

Slowly, he placed wet kisses all over your core, taking his time to arouse you properly.

Luckily, that didn’t take long.

„So wet, so fast, princess“, he hummed in admiration.

„Like I had a choice“, you snapped back at him.

His cheeky giggles filled the whole room. He knew what effect he had on you and he loved it, thrived off of it.

„Even if you’re acting like a brat right now… I can’t think of anything else but eating you out. Isn’t that crazy, y/n?“

You pushed your hips against his face, ushering him to finally do it. His plan was working without you even realizing. You were no longer thinking about your doomed health, but his tongue circling around your clit.

„Seongie“, you whined.

„Yes, my love?“

He batted his Bambi eyes at you, playing innocent. You grabbed a fistful of his long hair and pushed him into your pussy, making it utterly clear that you were done waiting.

Like a real man he devoured all of you, instantly. His tongue slippery circling around your throbbing clit, his long fingers quickly pushing in and out of your heated entrance, turning you into a trembling mess right in front of him.

Your sticky juices were dripping down his cheek as he finally came back up, grinning from ear to ear.

He didn’t say a word but just watched. Your chest was breathing heavily, eyes shut and mouth wide open.

„Bingo“, he applauded himself. He got up swiftly and laid down next to you, grabbing your delicate hands and squeezing them lightly.

„Baby, what are you thinking about now?“, he asked smoothly.

„Not a single thing“, you answered truthfully.

„Not one thought?“

„No, it‘s like you fucked me brainless“, you mused.

„Shit, I like that“, he said with a big grin. „Can we, like, do that again?“

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weirdmageddon · 8 months ago

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22 audhd goth nerd and other-proclaimed “wizard”

🔞 blog may be suggestive. i’m likely not posting not straight up nsfw but i’d rate it 18+ anyway. just expect anything really.

ive finaly managed to lay it out my major interests. i dont know what took me so long to be able to do that. i posted it to bluesky but i’ll do it here too. i need a new pinned post anyway.

things i’m interested in:

science: ALL natural science, esp. neuroscience, neuropsychology, psychology (the mind), biology, anatomy & physiology, ecosystems, network theory

other realms: philosophy, sociology, anthropology, human ethology, personality differences

natural noumena: patterns in nature, emergence, self-organization / spontaneous order, chaos theory and fractals

tropes / archetypes

analytical psychology / jungian analysis (not in association to jordan peterson, whom i think is a chode. this is significant to me, because i feel like i share the phenomenological reality with jung that formed the basis of his ideas. many of these forces i’ve noticed on my own, separate from him, before i knew him. so seeing his ideas i was like “oh he put it into words. glad to know someone else has a keen sense for these phenomena”)

socionics model A

other typological systems: enneagram, mbti (not 16personalities), etc. quizzes are lazy minded and i dont give them much weight on principle. im into understanding the theoretical foundations

eclectic alternative music subcultures + history: esp. 70s-80s, experimental, psychedelic rock, punk, new wave, post-punk, goth rock, industrial

art and creativity in general

YTP and remix culture

the venture bros. (bonus points if you understand most of the references because this show is like my personal catnip)

jhonen vasquez: jthm, squee, i feel sick, invader zim (decade+ old fan)

david lynch: twin peaks, eraserhead, blue velvet, mulholland drive, etc

jon bois: pretty good, 17776/20020, chart party, team history documentaries, etc

blaseball / mmolb

vinesauce (decade+ old watcher)

pokemon: in general, but esp. knowledgeable about game mechanics (decade+ old fan)

undertale (decade+ fan) / deltarune (since beginning)

gravity falls (decade+ old fan)

homestuck (decade+ old fan)

mother series

star trek* (*slowly immersing myself)

lots of more stuff i probably missed

typology type profile: LII-Ne IN(T) INFJ 5w4 so/sp 514 RCOAI

things i might be known for:

original dirtygfconfessions crew member (mod dipper. 2014–idk when the shit went down where our posts got deleted)

original real-time fandub crew member (2016-2018; 2025-) [*note: real-time fandub games, like the sonic dubs, were a spinoff by crew member penny snapcube]

hs act omega artist (2017-2019)

three-time podcast guester on mystery shack lookback

figure in spamtonology

tumblr historian. i was probably there when it happened.

op of tumblr post screenshots circulating on google images

random things about me:

shit nobody cares about enthusiast

given enough time i think i could probably explain anything

ive been here since late 2011

i live in a very isolated pocket of my own taste in art/music where im not really aware of what everyone else is listening to because it just…doesnt really cross my mind ever? i found out brian eno said something similar, “If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.” i told my friend the other day i feel like i understand my self through music and art, because of the accumulation of my taste i can actually experience my unconscious preference and know what i feel my own experiences reflected in

im best at self-reflection and observations of own my own mental processes. like catching the background of consciousness

if i were forced at gunpoint to kin a homestuck character it would be aradia megido. we’re very close in spirit

also dipper pines mannerisms but i think im a bit more eccentric and mature

dare i say the big joel of tumblr

another eno quote i strongly relate to: “Sometimes you recognize that there is a category of human experience that has not been identified but everyone knows about it. That is when I find a term to describe it.”

i’m asexual. i don’t know my romantic orientation because attraction is so rare for me (not enough data) but i think i always had a queer mentality. i just call myself grayromantic. i never had a partner but i want one because i’m feeling ready now but it has to feel like the right person. 6/15/25 budding romance arc unfolding with a sweet funny guy my type who doesnt need to do all that much to cosplay a convincing looking jerma

tags:

#mine ← my posts, if i remember to tag them. im reblog heavy.

#me ← relatable tag

#laugh rule ← if i laugh irl i have to tag it that

#fave ← self explanatory

my art insp/aesthetic/resources side blog: @bonewheel

#mine

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bestlawfirmseoexpertindenver · 3 months ago

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kierstins-astrology3 · 9 months ago

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Psychology🧠 & Astrology🪬: Asteroids

This post is gonna be a little different from other ones!

Had an impulsive cool idea so these asteroids are related to psychology, mediumship, spirituality in astrology. As a psychology major I have to do a little post on these topics❣️When looking at the aspects in my natal chart it definitely makes sense why I love & chose a psych related career.

Psyche (16): Your psyche, your inner mind, spirit, & soul.

Urania (30): Shows interest in Astronomy & Astrology

Jung (11518): Asteroid named after Carl Gustav Jung who is a male psychiatrist & psychologist who is known for his analytical skills in psych. this asteroid can mean you way understand the human Psyche.

Wundt (11040): Asteroid named after Wilhelm Wundt who is a also a male physiologist, professor and one of the fathers of modern / experimental psych. Not much on this asteroid for the definition so if you love psychology / experimental psych this asteroid can be prominent in your chart.

Sigmund (6571): An asteroid name after psychologist Sigmund Freud. Not much on the definition of Sigmund so I’m going to assume it means if prominent you could be deeply interested in psychology & the human psyche.

Spirit (37452): Asteroid to tell you your spirit, spirituality, your spirit guides, and the abilities that are already given before you come here on earth.

Teller (5006): Shows your mediumship & psychic abilities.

Kalchas (4138): Shows prophetic themes and divination.

Angel (11911): Your spiritual path, where you feel divinely guided & protected, where you could encounter angels irl.

Bless (92891): Your blessings, where you’re blessed.

These asteroids in my natal chart:

Psyche in Aquarius 12h 13°

Psyche sextile moon 9h & Conjunct Neptune 12h: Sextile moon 9h can show an emotional connection to the internet, friends, religion, spirituality. Conjunct Neptune 12h can have a deep connection to spirituality, creativity, dreams.

Urania in Gemini 3h 11°

Urania opposite moon 9h & trine Neptune 12h: Opposite moon 9h astrology / astronomy can be challenging emotionally with my religion, culture, traveling. Trine neptune 12h astrology / astronomy can go with my delusions, creativity, spirituality.

Jung in Aquarius 12h 15°

Jung sextile moon 9h & Conjunct Neptune 12h: Sextile moon 9h can have emotional connection to understanding & learning psychology and analyzing the human psyche. Conjunct neptune 12h can have a sensitive, creative, spiritual connection to the human psyche and analyzing it.

Wundt in Leo 6h 13°

Wundt trine moon 9h: Can again have an emotional connection & can learn about experimental / modern psychology and asteroid in 6h can go with my routine.

Sigmund in Cancer 4h 5°

Sigmund semi-sextile sun 6h & trine Uranus 1h: Semi-sextile 6h sun can mean psychology can be apart of my routine, identity. Trine uranus 1h psychology can go with my uniqueness, independence, identity, self.

Spirit in Libra 8h 24°

Spirit trine Venus 4h: Spirit guides can be ancestors, family members, the abilities given before earth can be my emotions, spirituality, beauty with Libra.

Teller in Gemini 4h 25°

Teller conjunct Venus 4h: Mediumship & psychic abilities can be related to communication, learning with Gemini and 4h can be with home, families, emotions.

Kalchas in Scorpio 8h 11°

Prophetic themes & divination can be related to transformations, emotions, rebirth, wealth, sex with Scorpio & 8h. 11° (Aquarius) degrees divination with uniqueness, independence, friends, technology.

Angel in Aquarius 12h 2°

Spiritual path can be alone, unique, can be seen by friends or the internet. In 12h definitely a spiritual, creative path. 2° (Taurus) degree can be a stable, long-term spiritual path.

Bless in Aries 1h 15°

Can be blessed with my identity, self, appearance, body with Aries & 1h. 15° (Gemini) degree blessed with communication, intelligence, learning and the internet.

Used these links for help:

Google lol

Evangelinedeactivated Asteroid Definitions

Spirit Asteroid

Angel asteroid

#astrology #astro community #astro notes #astroblr #psychology #sigmund freud

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cardiac-arresting-sweetheart · 11 months ago

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Yandere Psychosophy/Attitudinal Psyche

Inspired by yandere MBTI and yandere Big Five. Personality test/self-assessment for this Google document verison of this

Overview

This is a yandere typing system based on the original Psychosophy (also remade as Attitudinal Psyche) system. Originally, it was divided into four aspects: logic, physics, emotions, and volition/will.

These placements are divided into another four placements: 1st, 2nd, 3rd, and 4th. The 1st placement is characterized by absolute, possibly even arrogant, confidence in that aspect and feeling no need to improve or change it. It is very rigid and unchangeable. The 2nd placement, on the other hand, is the most flexible placement. It is characterized by confidence but not arrogance, feeling little weakness in this aspect. To the user of the 2nd function, it is comfortable and easy to use with others and develop further. But the 3rd placement is the opposite. It is the most uncomfortable to use, with a constant feeling of insecurity associated with it. There seem to be two most common approaches to this function: aggressively overusing it or the opposite, neglecting it. This is the placement that needs the most improvement. Finally, the 4th placement is the most underused and is seen by its user as either unimportant or better with a quick fix. These four placements form the foundation of understanding an individual's strengths, weaknesses, and areas for potential growth within this typology system.

In summary...

1st placement: Confident Function (1V, 1L, 1E, 1P) Strong, Aggressive, Monologue

2nd placement: Flexible Function (2V, 2L, 2E, 2P) Strong, Passive, Dialogue

3rd placement: Insecure Function (3V, 3L, 3E, 3P) Weak, Aggressive, Dialogue

4th placement: Unbothered Function (4V, 4L, 4E, 4P) Weak, Passive, Monologue

Yandere System

So what about the yandere system? It follows the same placement rules as the original system but uses its own aspects. The yandere Psychosophy system is divided into four four aspects, respectively: cognition (C), aggression (A), expression (E), and determination (D).

Cognition, equivalent to logic in the original Psychosophy system, reflects how a yandere processes information, plans their actions, and uses their intelligence to manage their obsession.

Aggression, equivalent to physics in the original Psychosophy system, evaluates how a yandere uses power, intimidation, or violence to get what they want or control their darling.

Expression, equivalent to emotion in the original Psychosophy system, focuses on how freely a yandere shows their affection and obsession for their darling.

Finally, determination, equivalent to volition/will in the original Psychosophy system, assess how either determined or fragile a yandere is in achieving their goals with their darling.

Placement Descriptions

Cognition (C)

1st Placement (C1): Exhibits absolute confidence in their ability to strategize and plan. This yandere is highly analytical and methodical, always staying several steps ahead. They see no need for improvement in their cognitive abilities and are often seen as calculating masterminds.

2nd Placement (C2): Confident and comfortable in their cognitive abilities, they can adapt plans fluidly and are skilled at thinking on their feet. They are open to developing their strategic thinking further and are effective planners who work well with others.

3rd Placement (C3): Struggles with insecurity regarding their cognitive skills. They might oscillate between overanalyzing situations to compensate for their perceived shortcomings or neglecting planning altogether. This yandere needs the most improvement in how they process information and strategize.

4th Placement (C4): Minimally engaged in strategic thinking, often relying on intuition or others for planning. They see detailed planning as unimportant and prefer quick fixes or spontaneous actions.

Aggression (A)

1st Placement (A1): Extremely confident in using aggression and violence to achieve their goals. They are unyielding and often intimidate or overpower others without hesitation. Improvement is seen as unnecessary as they view their aggressive approach as highly effective.

2nd Placement (A2): Uses aggression when necessary but with restraint and control. They are comfortable leveraging their power but prefer to balance it with other methods. Open to refining their approach, they effectively combine intimidation with strategic non-violent tactics.

3rd Placement (A3): Feels insecure about their use of aggression. They may either overuse violence in an attempt to assert control or avoid it altogether out of fear or uncertainty. Developing a balanced approach to aggression is crucial for them.

4th Placement (A4): Rarely resorts to violence or intimidation, viewing it as a last resort. They prefer non-aggressive methods and see aggression as unimportant or something to be avoided. They often look for quick, peaceful solutions.

Expression (E)

1st Placement (E1): Highly expressive, openly displaying their emotions and obsession with intense fervor. They are unapologetically passionate, showing no need to alter their expressive nature. Their overt emotional displays are a core part of their identity.

2nd Placement (E2): Comfortable and confident in showing their emotions, they balance expressiveness with control. They can openly share their feelings and are adept at adjusting their emotional displays to suit different situations. They find it easy to develop and fine-tune their emotional expression.

3rd Placement (E3): Struggles with expressing emotions, feeling insecure about their displays of affection or obsession. They may either overexpress in an attempt to compensate or hide their emotions entirely. Improving their emotional expressiveness is a key area for growth.

4th Placement (E4): Minimally expressive, often appearing detached or indifferent. They see emotional displays as unnecessary and prefer to keep their feelings hidden. Quick, minimal expressions are preferred, avoiding deep emotional involvement.

Determination (D)

1st Placement (D1): Exhibits unshakeable determination and willpower. This yandere is relentless and unwavering in their pursuit of goals, seeing no need to alter their approach. They possess a strong sense of purpose and are highly driven.

2nd Placement (D2): Confident and adaptable in their determination, they pursue goals with a balanced approach. They can persist through challenges while remaining flexible. Open to enhancing their resolve, they effectively combine willpower with adaptability.

3rd Placement (D3): Feels insecure about their determination, often fluctuating between intense bursts of willpower and periods of doubt. They may either push themselves excessively or give up easily. Developing a consistent and confident approach to their goals is essential.

4th Placement (D4): Exhibits low determination, often relying on external factors or others to drive their actions. They see strong willpower as unimportant, preferring to go with the flow or avoid direct confrontation. Quick, minimal efforts are favored over sustained determination.

Possible Types

CDEA, CDAE, CEAD, CEDA, CADE, CAED, ACDE, ACED, ADCE, ADEC, AECD, AEDC, EACD, EADC, ECAD, ECDA, EDAC, EDCA, DCEA, DCAE, DEAC, DECA, DACE, DAEC. (First letter is the first placement, second is the second placement, etc.)

Conclusion

That's all! Thank you for reading, and feel free to reblog with the type you think you are or maybe even type a character :D And feel free to send asks or comments if you have any questions.

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